Results 21 to 30 of about 1,080 (183)
We present a composition for solo classical guitar. This work comprises four pieces in 3/4 that share the same harmony, but the composition restrictions differ for each. The results are four distinct "waltz" movements.
Angel Tateishi +2 more
doaj +1 more source
The article focuses on the personalized genre and style approach to the analysis of Latin American composers’ artistic activity for the guitar, which gained universal acclaim and popularity in academic music culture.
Stanislav Zhovnir
doaj +1 more source
EVALUATION OF RESIDUAL STRAINS ON ACOUSTIC QUALITY OF GUITAR [PDF]
This paper aims to assess how the residual deformations of the guitar neck influence the quality of the musical instrument, knowing that wood is a material whose rheological behavior is influenced by many factors, including humidity, temperature ...
Mariana Domnica STANCIU +3 more
doaj
This study aims to describe the structure and techniques of playing Pancula Ndeme by Justinus Hokey on classical guitar composition. This study uses a qualitative approach. The data analyzed is the sheet music of Pancula Ndeme.
Juanita Theresia Adimurti +1 more
doaj +1 more source
17TH - 19TH CENTURY PHYSICAL DEVELOPMENT OF THE GUITAR AND ITS EFFECTS ON PLAYING TECHNIQUES
This study aims to reveal how the guitar went through a physical development process between the 17th and 19th centuries and how these development processes affected the guitar playing technique.
Mesut Marangoz +1 more
doaj +1 more source
A fluid–structure interaction model in a port-Hamiltonian representation is derived for a classical guitar. After discretization, we combine the laws of continuum mechanics for solids and fluids within a unified port-Hamiltonian (pH) modelling approach ...
Johannes Rettberg +6 more
doaj +1 more source
The Ties That Rhyme: Duality in Symbolic and Structural Networks of Grime Music
ABSTRACT Do birds of a feather really sing together? Musicians face two competing pressures in the pursuit of success: conforming to genre norms to meet audience expectations and distinguishing themselves to attract the attention of listeners. These opposing logics may shape how artists choose their collaborators.
Tom R. Leppard, Andrew P. Davis
wiley +1 more source
Ecology in Hartmut Rosa's Theory of Resonance: A Four‐Level Reconstruction
ABSTRACT This article discusses Hartmut Rosa's sociological theory of resonance with special emphasis on religion and ecology. In Rosa, resonance experiences refer to (always) participatory and (normally) enlivening world relations. I argue that Rosa's resonance theory is multi‐pronged and covers at least three interconnected levels.
Niels Henrik Gregersen
wiley +1 more source
Abstract Background Emotions are an intrinsic part of medicine. However, formal medical curricula fall short in addressing the role of emotions in medicine, and the hidden curriculum often promotes emotional detachment as a core component of medical professionalism.
Marcelo B. S. Rivas +5 more
wiley +1 more source
Transforming Art Environments: Online Classical Guitar Meetings
The aim of this study is to investigate new approaches arising from the transfer of educational, artistic, and social activities to online environments after the COVID-19 pandemic period, and specifically to examine the "online guitar meetings" designed for this purpose.
Erkan Sülün +2 more
openaire +1 more source

