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Intertextualidade e transcrição musical: novas possibilidades a partir de antigas propostas
Opus, 2008 This article discusses Edelton Gloeden’s transcription for two guitars of the Peça para piano n. 4 (piece for piano n. 4) by Gilberto Mendes (1922), originally composed for solo piano.
Edelton Gloeden, Luciano Morais
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Computational analysis of expressivity in classical guitar performances
, 2014 L’estudi de l’expressivitat musical és un camp molt actiu en la computació musical. El seu interès ve donat per diverses motivacions: entendre i modelitzar l’expressivitat musical; identificar els recursos expressius que caracteritzen un instrument, gènere musical o intèrpret; i construir sistemes de síntesi amb la capacitat de reproduir música ...
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CLASSICAL GUITAR TRAINING BASED ON KODALY APPROACH: REVIEW OF THE “JIGSAW GUITAR
International Journal Of Eurasia Social Sciencesopenaire +1 more source
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Circuit based classical guitar model
Applied Acoustics, 2015Abstract With the growth of electronic gaming, personal electronics and the widespread creation and distribution of digital music, the ability to synthesize realistic instrument sounds is becoming more important. In particular, the ability to synthesize guitar sounds is necessary for a variety of applications.
Mark French
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