Results 81 to 90 of about 166 (129)
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Study on numerical model of classical guitar
The Proceedings of the Dynamics & Design Conference, 2021Hisami Oishi
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Classical guitar intonation and compensation: The well-tempered guitar
The Journal of the Acoustical Society of AmericaAn intuitive model of classical guitar intonation is presented that includes the effects of the resonant length of the fretted string, linear mass density, tension, and bending stiffness. An expression is derived for the vibration frequencies of a stiff string using asymmetric boundary conditions at the saddle and the fret.
M. B. Anderson, R. G. Beausoleil
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Subjective evaluation of classical guitars
The Journal of the Acoustical Society of America, 1997An analysis is presented of two methods for the subjective evaluation of a set of classical guitars. One is based on ‘‘blind’’ listening tests by a general audience, and another is based on direct inspection and playing by guitar teachers and students. Subjective experiments reveal that the two types of tests produce essentially the same sorting of the
Felipe Orduña-Bustamante +1 more
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Transformation the Timbre of a Classical Guitar
Музыковедение, 2021Тема статьи – привнесение нетрадиционных способов звукоизвлечения в произведения для классической гитары. Актуальность вопроса обусловлена возросшим интересом к инструменту во второй половине ХХ века. Рассматривается применение измененного тона гитары в пьесах профессиональных композиторов, опыт которых видится продолжением и развитием концептов ...
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Identifying Attack Articulations in Classical Guitar
2011The study of musical expressivity is an active field in sound and music computing. The research interest comes from different motivations: to understand or model music expressivity; to identify the expressive resources that characterize an instrument, musical genre, or performer; or to build synthesis systems able to play expressively.
Tan Hakan Özaslan +3 more
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Modal analysis of a classical guitar
The Journal of the Acoustical Society of America, 2002Using holographic interferometry, we have determined the modes of vibration of a classical guitar (by the first author) having an asymmetrically-braced top plate and a crossed braced back of unique design. The vibrational modes and acoustical properties are compared with other classical guitars.
David Cohen, Thomas D. Rossing
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Teaching the Concept of Resonance with the Help of a Classical Guitar
The Physics Teacher, 2012Resonance refers to the vibrations of larger amplitude that are produced under the effect of a harmonic driving force.1 Although resonance is an essential concept behind many events happening in nature, students usually have difficulty in learning and explaining the phenomenon.
Kaan Kasar, M. +2 more
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The Classical Guitar Companion
2019Abstract The Classical Guitar Companion is an anthology of exercises, études, and pieces organized according to technique or musical texture. Students are encouraged to work in multiple chapters, simultaneously depending on advice from a teacher or their own assessment of what they need.
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Vibration measurements in the classical guitar
Applied Acoustics, 2002Abstract Some measurements are described that pertain to the high frequency behaviour of the vibrations of the string and soundboard of the guitar.Three isolated soundboards of different woods were compared with respect to their early decay times (by means of measurements of their vibrational impulse responses), in order to assess its possible use as
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