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Representing the Einsatzgruppen: The Outtakes of Claude Lanzmann’s Shoah
2013In this chapter, I will ask why literary and filmic representations of the wartime Einsatzgruppen are so much less common than those of the other experiences of the Holocaust years, such as living in hiding or in ghettos, and imprisonment in concentration and death camps.
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Abstract Chapter 3 considers the French director Claude Lanzmann’s Shoah (1985) as a response to Night and Fog; although Lanzmann does not refer to Resnais, the two documentaries are intertextually related. Lanzmann takes issue with several of Resnais’s choices – choices that, for both directors, are not just formal but also ethical ...
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Claude Lanzmann: Geheimadept Walter Benjamins
sans phrase. Zeitschrift für Ideologiekritik, 2021openaire +1 more source
Letters to Claude Lanzmann and to the Grand Larousse
Yale French Studies, 1994Armand Vulliet, Madeleine Dobie
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Representing the Holocaust: Claude Lanzmann's Shoah
Film & History: An Interdisciplinary Journal of Film and Television Studies, 1987openaire +1 more source

