Results 211 to 220 of about 29,743 (260)
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Colour centre studies in MoO3 films
Journal of Non-Crystalline Solids, 1978Abstract The growth of defects in vacuum-evaporated MoO3 films has been studied by optical absorption in the present work. The as-grown films were subjected to different kinds of treatment such as thermal annealing, UV and X-ray irradiation, and their optical absorption spectra were recorded between 300 and 1500 nm at room temperature as well as at ...
M.S. Jagadeesh, V. Damodara Das
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Colour and Emotion in Expressionist Music and Film
Interfaces, 1996Thurlow Jeremy. Colour and Emotion in Expressionist Music and Film. In: Interfaces. Image-Texte-Langage 9, 1996. La Couleur parle (1) pp. 267-277.
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Colouring for Magazines, Television and Films
1977ALL fashion colouring effects must be stronger than normal. The camera usually tones colours down so they have to be fairly vibrant in order to look subtle. Experiment with different materials like acid dyes, poster colours, Indian inks and silk dyes.
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Colour spectrum measurement of polyaniline film
2nd International IEEE Conference on Polymers and Adhesives in Microelectronics and Photonics. POLYTRONIC 2002. Conference Proceedings (Cat. No.02EX599), 2003The electrochromic changes of the polyaniline films during the switching from reduced to fully oxidated forms have been studied by the in situ measurement of the colour spectrum. Two-beam spectrometer is used during the protonation-deprotonation processes in electrochemical cell designed for this measurement.
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The Colours of Infinity-The Film Script
2010This is the Mandelbrot Set: one of the most beautiful and remarkable discoveries in the entire history of mathematics. And yet it was discovered as recently as 1980.
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Eye, Film and Camera in Colour Photography
Physics Bulletin, 1960By Ralph M. Evans London : Chapman & Hall Ltd. New York : John Wiley & Sons, Inc. Pp. xii + 410. Price 72s. The author has spent some thirty years in the field of colour photography, much of this time as Director of the Colour Technology Division of the Eastman Kodak Company.
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Colour Calibration in Digital Film Systems
9th Conference and Exhibition of the SMPTE Australia Section, 1999This paper is an end-to-end discussion of calibration in digital film systems, comparing this system to the traditional film duplication process. The characteristics of colour negative films establish the requirements for scanner calibration. Digital versus film display characteristics are reviewed.
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The search for the lost colours of Albatros film
2017Article excerpt (source: https://www.questia.com/magazine/1P4-1972152354/the-search-for-the-lost-colours-of-albatros-films ): In December 1926, the London distribution company Wardour Films wrote to Alexandre Kamenka, head of Albatros Films in Paris.
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