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A Possible Role of Anhedonia as Common Substrate for Depression and Anxiety. [PDF]
Depression and anxiety are often comorbid, in up to 70% of cases, and the level of one or the other may fluctuate, leading now to a diagnosis of depression, now to a diagnosis of anxiety. For these reasons, and for the presence of many other common factors, it has been suggested that both are part of the same continuum of problems and that they have a ...
Grillo L.
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Arnheim's Gestalt Theory of Visual Balance: Examining the Compositional Structure of Art Photographs and Abstract Images [PDF]
In Art and Visual Perception , Rudolf Arnheim, following on from Denman Ross's A Theory of Pure Design , proposed a Gestalt theory of visual composition.
I C McManus, Katharina Stöver, Do Kim
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Rudolf Arnheim: Perceptive dynamics in musical expression
A pupil of Köhler and von Hornbostel in Berlin, Arnheim published an article in the Musical Quarterly in 1984, where he applied the principles of visual composition to the musical form.
Coppola Walter
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Riley in Cairo: British Art and Egypt in the 1980s
In the early 1980s, Bridget Riley produced a series of paintings distinguished by their use of the same group of colours, said to have been inspired by the vividly preserved painted tombs that she encountered during a visit to Egypt in the winter of 1979–80.
Richard Johns
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With the popularity of neural network research, the application based on neural network model is gradually applied to all aspects of people’s life. Neural network model can not only solve the algebraic problems that traditional machine learning can solve but also recognize and analyze graphics through self‐learning.
Bingjing Zhang, Zaoli Yang
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On the realist aesthetics of digital de‐aging in contemporary Hollywood cinema
This essay examines digital de‐aging—a process of making actors appear younger on‐screen than they actually are that has taken a firm hold in contemporary Hollywood cinema—as a controversial filmmaking tool that raises fundamental questions about cinematic realism in the digital age.
Kathleen Loock
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The Meaning Potential of Motion Vectors in Cinema
This paper examines the meaning potential of directed forces or vectors in cinema. The first part draws on the pioneering work of Rudolf Arnheim to highlight the prominent role of vectors in the visual structuring of meaning in paintings.
Maarten Coëgnarts
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The Politics of Physiognomic Perception
This article stages a confrontation between latent nominalist attitudes about inherent expression in perception—physiognomy—and new affective modes.
Verstegen Ian
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El presente trabajo intenta desplegar algunos de los supuestos que el psicólogo alemán Rudolf Arnheim estozó en su texto de 1959 La forma y el consumidor.
Pedro Salinas Quintana
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