Results 1 to 10 of about 154 (130)

Hans-Jörg Rheinberger as a Philosopher of Time. [PDF]

open access: yesBer Wiss, 2022
Abstract When Hans‐Jörg Rheinberger proposed the concept of epistemic things, he drew inspiration from the art historian George Kubler, who had considered the aesthetic object as resulting from problem‐solving processes in The Shape of Time (1962). Kubler also demonstrated that a sequence of objects could retrace the progress that led to a solution ...
Zimmermann MF.
europepmc   +2 more sources

Rudolf Arnheim

open access: yesCurrent Musicology, 2019
_______
Rudolf Arnheim
doaj   +3 more sources

A Possible Role of Anhedonia as Common Substrate for Depression and Anxiety. [PDF]

open access: yesDepress Res Treat, 2016
Depression and anxiety are often comorbid, in up to 70% of cases, and the level of one or the other may fluctuate, leading now to a diagnosis of depression, now to a diagnosis of anxiety. For these reasons, and for the presence of many other common factors, it has been suggested that both are part of the same continuum of problems and that they have a ...
Grillo L.
europepmc   +2 more sources

Arnheim's Gestalt Theory of Visual Balance: Examining the Compositional Structure of Art Photographs and Abstract Images [PDF]

open access: yesi-Perception, 2011
In Art and Visual Perception , Rudolf Arnheim, following on from Denman Ross's A Theory of Pure Design , proposed a Gestalt theory of visual composition.
I C McManus, Katharina Stöver, Do Kim
doaj   +2 more sources

Rudolf Arnheim: Perceptive dynamics in musical expression

open access: yesGestalt Theory, 2023
A pupil of Köhler and von Hornbostel in Berlin, Arnheim published an article in the Musical Quarterly in 1984, where he applied the principles of visual composition to the musical form.
Coppola Walter
doaj   +2 more sources

Rudolf Arnheim

open access: yesInternational Lexicon of Aesthetics, 2023
Mit dem hundertsten Notizbuch zur dOCUMENTA (13), einer erneuten Lektüre des Hauptwerkes von Rudolf Arnheim, Art and Visual Perception: A Psychology of the Creative Eye (1954), setzt Carolyn Christov-Bakargiev dem abstrakten Kunstdiskurs der Gegenwart die konkrete Wahrnehmung und das Werk selbst entgegen.
openaire   +2 more sources

Riley in Cairo: British Art and Egypt in the 1980s

open access: yesArt History, Volume 45, Issue 3, Page 650-672, June 2022., 2022
In the early 1980s, Bridget Riley produced a series of paintings distinguished by their use of the same group of colours, said to have been inspired by the vividly preserved painted tombs that she encountered during a visit to Egypt in the winter of 1979–80.
Richard Johns
wiley   +1 more source

Graphic Language Representation in Visual Communication Design Based on Two‐Way Long‐ and Short‐Memory Model

open access: yesMathematical Problems in Engineering, Volume 2022, Issue 1, 2022., 2022
With the popularity of neural network research, the application based on neural network model is gradually applied to all aspects of people’s life. Neural network model can not only solve the algebraic problems that traditional machine learning can solve but also recognize and analyze graphics through self‐learning.
Bingjing Zhang, Zaoli Yang
wiley   +1 more source

On the realist aesthetics of digital de‐aging in contemporary Hollywood cinema

open access: yesOrbis Litterarum, Volume 76, Issue 4, Page 214-225, August 2021., 2021
This essay examines digital de‐aging—a process of making actors appear younger on‐screen than they actually are that has taken a firm hold in contemporary Hollywood cinema—as a controversial filmmaking tool that raises fundamental questions about cinematic realism in the digital age.
Kathleen Loock
wiley   +1 more source

The Meaning Potential of Motion Vectors in Cinema

open access: yesCinéma & Cie, 2022
This paper examines the meaning potential of directed forces or vectors in cinema. The first part draws on the pioneering work of Rudolf Arnheim to highlight the prominent role of vectors in the visual structuring of meaning in paintings.
Maarten Coëgnarts
doaj   +2 more sources

Home - About - Disclaimer - Privacy