Results 11 to 20 of about 154 (130)
The Politics of Physiognomic Perception
This article stages a confrontation between latent nominalist attitudes about inherent expression in perception—physiognomy—and new affective modes.
Verstegen Ian
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El presente trabajo intenta desplegar algunos de los supuestos que el psicólogo alemán Rudolf Arnheim estozó en su texto de 1959 La forma y el consumidor.
Pedro Salinas Quintana
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A Feasibility Study on Using the Motifs of Ancient Susa Ceramics in Computer Game Design [PDF]
Video games in modern world have become cultural, economic and political tools to shape the thought of the younger generation. Examples of these games have made their way to the museums; scientific circles have focused on game aesthetic; and different ...
Sadreddin Taheri, Ahmad Mostafavi
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A Gestalt Theory for ‘Disorder’: From Arnheim’s Ordered Chaos to Brambilla’s Entropic Art
The article revisits the concept of entropy in art as discussed by Gestalt psychologist and art theorist Rudolf Arnheim. His discussion of artworks and their reception as complex dynamic fields where the forces of entropy and orderliness counter and ...
Maria Poulaki
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Landscape planning lacked an evidence-based method for the reflection of planning models on the imaginary level in order to present the image content and the relationships in the image as the basis for interpretation in a verifiable manner.
Schneider Gerda, Scharmann Ingrid
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Tangibili esperienze e vis percipiendi
This article concerns the role of haptic perception in the act of enjoying sculptures and it takes as a starting point an unusual experience “in the dark”.
Alberto Argenton
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As Representações da Pluma: o papel da pluma na heráldica, nos ornamentos e na esfera religiosa.
Este artigo, que resulta de uma pesquisa bibliográfica, aborda as representações da pluma aplicadas ao ornamento de várias culturas, em diversos períodos, técnicas e configurações.
Olímpio Pinheiro Santana
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By reflecting upon the travelling concept of the (film) ‘auteur’, the first part of the article argues that Modernism manifests itself differently in cinema studies than in literary studies. Whereas the literary canon is constituted by excluding anything
Peter Verstraten
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The Warburg/Arnheim effect: Linking cultural/social and perceptual psychology of art [PDF]
Aby Warburg and Rudolf Arnheim represent two, mutually complementary, ways of productive interfacing between art history/culture history on the one hand and psychology on the other.
Ladislav Kesner
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