Results 1 to 10 of about 29,130 (259)
Film-Philosophy, 2023 This article draws upon the work of Sylvia Wynter and W.E.B. Du Bois in order to propose that film-philosophy has historically not paid due attention to race.
William Brown
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Journal of Experimental Nanoscience, 2018 In this work, different microfluidic colour-changing devices are implemented by using dry film photoresist-based moulds instead of standard photolithography moulds. EtertecHT-115T negative dry film photoresist is employed to realise the rapid fabrication
Min Zhang, Songjing Li
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Journal of Taibah University for ScienceWith the aid of a solution casting technique, we created a blended film made of polyvinyl alcohol (PVA) and polyvinyl pyrrolidone (PVP). Gamma doses (5-40 kGy) were applied to samples of the synthetic PVA/PVP film.
Ali A. Alhazime
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The Colours Composition in The Diamond Arm by Leonid Gaidai [PDF]
Художественная культура, 2023 The main motives of the colour composition of the film The Diamond Arm are discussed in the article. The variations of the blue and the semantics of the cold range of colours associated with the world of the main character, Senya Gorbunkov, his ...
Salnikova Ekaterina V.
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Comparative Analysis of Colour Film Style by Computational Means
Cinergie, 2021 This paper uses two different colour versions of the early film The Life and Passion of Christ (La Vie et la Passion de Jésus Christ, 1907) by Ferdinand Zeccato demonstrate how computer-based techniques for analysing digitized film materials, using a ...
Olivia Kristina Stutz
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Relief: Revue Électronique de Littérature Francaise, 2015 By reflecting upon the travelling concept of the (film) ‘auteur’, the first part of the article argues that Modernism manifests itself differently in cinema studies than in literary studies. Whereas the literary canon is constituted by excluding anything
Peter Verstraten
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A Computational Model of Human Colour Vision for Film Restoration
Gestalt Theory, 2022 Even today, film restoration (both photographic and cinematographic) is a challenge, because it involves multidisciplinary competences: from analogue film inspection and conservation to digitisation and image enhancement.
Plutino Alice +3 more
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Colour Equations for Techpan Films [PDF]
Symposium - International Astronomical Union, 1997 The UK 1.2m Schmidt Telescope (UKST) at Siding Spring Observatory in Australia has been routinely using panchromatic Tech-Pan emulsion on film as a detector since 1992. Details of how the telescope was adapted to take film and how hypersensitization techniques have been modified for film have been described by Parker (1992).
D. H. Morgan, Q. A. Parker
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FiRe2: a Call for a Film Repository of Technical Data and Memories for Photo and Movie Restoration
Cinergie, 2021 Throughout history, thousands of different kinds of film formats, emulsions and colour systems have been used, to reproduce natural colours and as mean of expression for specific characters and scenes.
Alice Plutino +4 more
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