Results 31 to 40 of about 9,939 (180)
Pure Pleasure and Film Thinking – Watching Instead of Interpreting [PDF]
In his reflection on watching instead of interpreting as a way of getting to know a film, the author wishes to focus on two issues: (i) one related to the sensuous experience of the cinema, the pleasure of the act of watching itself (in accordance with ...
Rafał Koschany
doaj
Portraiture : finding the valid fragment [PDF]
The paper deals with the concepts of fragmentation and reconstruction in the field of portraiture. Taking a portrait as a large fragment of information, we look into ways in which it can be optimised and reduced such that it remains valid but becomes ...
Muscat, Sergio
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Geist vs Life - Scheler And Musil [PDF]
Robert Musil (1880-1942), the Austrian writer, essayist and author of Der Mann ohne Eigenschaften (MoE), and Max Scheler (1874-1928), the south German realist phenomenologist, shared a number of philosophical convictions and interests.
Mulligan, Kevin
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Metafísica romântica (verniz científico): a Gestalt não é uma teoria da comunicação visual
Não é difícil encontrar em trabalhos devotados ao estudo da comunicação visual referência a autores provenientes da Gestalt, notadamente Donis A. Dondis e Rudolf Arnheim.
Marcelo Santos
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Art and Medicine: from anatomic studies to Visual Thinking Strategies [PDF]
Over the centuries the collaboration between artists and doctors and the relationship between art and medicine disciplines have been documented. Since the '60s the discipline of medical humanities has been developed in order to enrich the studies in ...
De Santis, Sara +2 more
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De quelques problèmes épistémologiques dans la théorie du cinéma
In the light of recent debates in film studies over the nature of film theory and the kinds of knowledge it produces, this paper examines some of the epistemological issues currently being raised by film scholars.
Martin Lefebvre
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Industrial Design: On Its Characteristics and Relationships to the Visual Fine Arts [PDF]
Industrial design and the visual arts share a common aesthetic basis as demonstrated by their common use of aesthetic principles and by designers who are also visual artists.
Carter, Curtis
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Como se produz a aprendizagem artística [PDF]
No presente artigo, pretende-se compreender, através da leitura da obra de Elliot Eisner, quais as dimensões que estão presentes no processo de criação artística e em que medida elas podem ou devem concorrer para a melhoria da aprendizagem em artes. Para
Raposo, F.M.
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Sensação e percepção no teatro de sombras
Este artigo pontua momentos da montagem do espetáculo Sacy Pererê: a Lenda da Meia Noite, da Companhia Teatro Lumbra de Animação da cidade de Porto Alegre (RS, Brasil), evidenciando no trabalho do ator-animador os mecanismos e recursos utilizados na sua ...
Fabiana Lazzari de Oliveira
doaj
On the feasibility of pictorial statements
It is often claimed as a matter of course, even in widely different intellectual currents, that there can be no pictorial or, more generally, no visual statements.
Göran Sonesson
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