Results 21 to 30 of about 154 (130)

Come dire oggettivamente che la prospettiva è relativa

Rivista di Estetica, 2011
This article attempts to utilize the conceptual clarity typical of the work of Lucia Pizzo Russo to address the muddled question of the objectivity of perspective.
Ian Verstegen
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Callidae iuncturae

CoSMO, 2021
The desire or the need to elaborate poetry in graphic or iconic form has manifested itself in various cultures in different parts of the world and in different periods of history, so much so as to cause genuine semiotic interference.
Pasquale Fameli
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Um conceito de ouvinte expandido

Rumores, 2019
Do que pensaram autores da República de Weimar (Bertolt Brecht, Walter Benjamin e Rudolf Arnheim) sobre a relação do rádio com seus ouvintes, passando pela consideração dos estudos culturais ingleses e do conceito de estrutura do sentir de Raymond ...
Nivaldo Ferraz
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Study of One of Sani al-Molk’s One Thousand and One Night Illustrations From Visual Perception Theory of Gestalt [PDF]

نگره, 2018
General principles of Gestalt School of Psychology (Unified Whole) are codified by a group of German psychologists in early twentieth century. This approach is based on theories describing how the viewer tend to organize a series of simple visual ...
Ameneh Mafitabar, Fatemeh Kateb, Mansour Hesami   +2 more
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Umění, vnímání a vizuální myšlení v kontextu teorií Rudolfa Arnheima

Acta Universitatis Carolinae Philosophica et Historica, 2020
Knowledge of the world and education is traditionally based primarily on reading books, in which the main tool is the language that enables knowledge and education to be passed on to people.
Šárka Jendreššák
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Il Metodo Psycofilm Cinema e Psico-Oncologia

Phenomena Journal, 2020
At the Valdelsa donna Association, in collaboration with the USL Toscana SudEst Campostaggia Siena, directed by oncologist dr. Angelo Martignetti, in the years 2012-2013 a Cinema-thérapy project was carried out with the Psycofilm Method, a registered ...
Paola Dei
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The ‘Good Form’ of Film

Gestalt Theory, 2018
This article questions certain assumptions concerning film form made by the recent (neuro)psychological film research and compares them to those of precursors of film psychology like Hugo Münsterberg and Rudolf Arnheim, as well as the principles of ...
Poulaki Maria
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Pure Pleasure and Film Thinking – Watching Instead of Interpreting [PDF]

The Polish Journal of Aesthetics, 2014
In his reflection on watching instead of interpreting as a way of getting to know a film, the author wishes to focus on two issues: (i) one related to the sensuous experience of the cinema, the pleasure of the act of watching itself (in accordance with ...
Rafał Koschany
doaj  

Metafísica romântica (verniz científico): a Gestalt não é uma teoria da comunicação visual

Em Questão, 2014
Não é difícil encontrar em trabalhos devotados ao estudo da comunicação visual referência a autores provenientes da Gestalt, notadamente Donis A. Dondis e Rudolf Arnheim.
Marcelo Santos
doaj  

De quelques problèmes épistémologiques dans la théorie du cinéma

Mise au Point, 2016
In the light of recent debates in film studies over the nature of film theory and the kinds of knowledge it produces, this paper examines some of the epistemological issues currently being raised by film scholars.
Martin Lefebvre
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