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2021
Cada comedia tiene colofón con fecha de 1758, excepto la última. ; Sign.: ¶\p2\s, 2¶\p4\s, A-Z\p4\s, 2A-2F\p4\s. ; Port. con viñeta xil. ; Contiene: Al audaz fortuna ayuda: p. 1-38 ; Al poder la ciencia vende: p. 39-66 ; No siempre el destino vence, si en su imperio amor domina y príncipes encubiertos: p.
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Cada comedia tiene colofón con fecha de 1758, excepto la última. ; Sign.: ¶\p2\s, 2¶\p4\s, A-Z\p4\s, 2A-2F\p4\s. ; Port. con viñeta xil. ; Contiene: Al audaz fortuna ayuda: p. 1-38 ; Al poder la ciencia vende: p. 39-66 ; No siempre el destino vence, si en su imperio amor domina y príncipes encubiertos: p.
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Hispanic Review, 1959
EVER since Hugo Albert Rennert's biography of Lope de Vega (1904), American Hispanists have contributed significantly to a better understanding of the Spanish Theater of the Golden Age. Versification and orthoepy of the various dramatists were studied with the aim of establishing authorship and chronology.
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EVER since Hugo Albert Rennert's biography of Lope de Vega (1904), American Hispanists have contributed significantly to a better understanding of the Spanish Theater of the Golden Age. Versification and orthoepy of the various dramatists were studied with the aim of establishing authorship and chronology.
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“Esto con Franco no pasaba”: El franquismo en la comedia televisiva española
Hispanic Research Journal, 2021BEATRIZ María Gómez Morales
exaly
2014
Spanish Golden Age theater is known for its rejection of the classics. And yet, before the advent of Lope de Vega, during the late 16th century many plays were written in imitation of classical tragedy. After a brief glance at these early plays and how they inadvertently paved the way for the future of the comedia, this chapter turns to Cervantes's ...
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Spanish Golden Age theater is known for its rejection of the classics. And yet, before the advent of Lope de Vega, during the late 16th century many plays were written in imitation of classical tragedy. After a brief glance at these early plays and how they inadvertently paved the way for the future of the comedia, this chapter turns to Cervantes's ...
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