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1992
Abstract At the Playboy Club, the shows changed frequently in the showrooms on the third and fourth floors. Between shows, the comics would go down to the bandstand in the Living Room to do a few jokes and drum up business for their rooms.
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Abstract At the Playboy Club, the shows changed frequently in the showrooms on the third and fourth floors. Between shows, the comics would go down to the bandstand in the Living Room to do a few jokes and drum up business for their rooms.
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1991
Abstract Just before he left Harvard to join the newspaper business, Stevens published “Hawkins of Cold Cape,” a story about “Sly” Hawkins, editor of the Cold Cape Traveller. The tale begins with Hawkins’s realization that “there was little or no money in the provincial newspaper business.” Barker, Hawkins’s equally frustrated reporter ...
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Abstract Just before he left Harvard to join the newspaper business, Stevens published “Hawkins of Cold Cape,” a story about “Sly” Hawkins, editor of the Cold Cape Traveller. The tale begins with Hawkins’s realization that “there was little or no money in the provincial newspaper business.” Barker, Hawkins’s equally frustrated reporter ...
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1997
The Tragic Comedians is a unique case among Meredith’s novels. Although, as we have seen, intertextual elements are important in all of them, this alone is a detailed response to, indeed an alternative version of, a specific other narrative. This other narrative, moreover, purports to be factual, and its relation to Meredith’s text is not merely that ...
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The Tragic Comedians is a unique case among Meredith’s novels. Although, as we have seen, intertextual elements are important in all of them, this alone is a detailed response to, indeed an alternative version of, a specific other narrative. This other narrative, moreover, purports to be factual, and its relation to Meredith’s text is not merely that ...
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1985
Dal testo di Trevor Griffith un approfondimento su come è cambiata la comicità in Italia: dagli anni dei grandi comici alla rivoluzione del consumo e dell'assuefazione televisiva.
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Dal testo di Trevor Griffith un approfondimento su come è cambiata la comicità in Italia: dagli anni dei grandi comici alla rivoluzione del consumo e dell'assuefazione televisiva.
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The surprise element: A hallmark of creativity in scientists, artists, and comedians
Cell, 2021Joseph L Goldstein
exaly