Results 11 to 20 of about 11,662 (306)
AbstractThis chapter contains the comic book, realised following the methodological steps analysed in the previous chapters. The participants in the comic format close the book.
Poto Margherita Paola, Parola Giulia
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Is there a comic book industry?
9ª Arte (São Paulo), 2018 The “American comic book industry” is not American, its true product is not comic books, and it may not even be an industry. This article uses a geospatial map of comic book and graphic novel publishers active in the US market as well as sales estimates derived from both the direct market of specialty comic book retailers and trade book stores to ...
Woo, Benjamin
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British Educational Research Journal, EarlyView., 2023 Abstract Children's relationship with time in preschools is an under‐researched area. Young children rarely know how to measure time using a clock, but their experiences of time may contribute to understanding children's well‐being and debates about quality in preschools.
Kristín Dýrfjörð +3 more
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Harley Quinn and the carnivalesque transformation of comic book fandom
Transformative Works and Cultures, 2021 The antihero Harley Quinn was first introduced as the Joker's "henchwench" in Batman: The Animated Series (1992). The character soon developed a dedicated fan base, including enthusiasts who did not conform to traditional definitions of comic book fans ...
Liam Burke
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Comic Book Translation: Beyond Words? [PDF]
International Journal of Tamil Language and Literary Studies, 2021 The objective of this research is to study a comic book translation; this is to find out whether the process of translation is the same across genres or is it any different when it comes to the translation of a comic book. For this study, a British comic
S. Manoj
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Arts, 2021 In 1933, Jerry Siegel and Joe Shuster, two Jewish teenagers from Ohio, fashioned an ideal personality called Superman and a narrative of his marvelous deeds.
Bar Leshem
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Images, 2023 Francisco Sousa Lobo (Portugal) touches on religious themes in many of his comics. In real life, he has been both for and against Catholics, and now he prefers to watch the world from above, sitting on a high comic book wall.
Jakub Jankowski
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Aladdin Sane and Close-Up Eye Asymmetry: David Bowie’s Contribution to Comic Book Visual Language
The Comics Grid: Journal of Comics Scholarship, 2017 In April 1973 David Bowie released Aladdin Sane. The cover of Aladdin Sane features an iconic image of David Bowie, a close-up shot of the artist with brightly colored orange hair and asymmetrical lightning bolt make-up on the right side of his face ...
Igor Juricevic
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(Re)examining the attitudes of comic book store patrons in the digital era
Transformative Works and Cultures, 2015 As digital comic book consumption continues to rise in popularity, the comic book community appears conflicted over the effects that digital scans have on the meaning of collecting and reading comic books.
J. Richard Stevens, Christopher E. Bell
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Orientarsi tra le nuvole: cartografie, atlanti e pratiche mappanti nel racconto a fumetti
Between, 2018 A partire dalla recente nascita della ‘comic book geography’ (Dittmer 2014), il contributo intende proporre la ‘comic book cartography’ come un’ulteriore linea di ricerca volta ad esplorare le contaminazioni tra fumetto e cartografia.
Giada Peterle
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