Results 21 to 30 of about 153,073 (329)

The Official Student Newspaper of UAS [PDF]

open access: yes, 2015
Health Corner / First Friday -- Tidal Echoes -- Sweeney Todd / Whale Necropsy -- Calendar and ...

core   +6 more sources

Farting Jellyfish and Synergistic Opportunities: The Story and Evaluation of Newcastle Science Comic

open access: yesThe Comics Grid: Journal of Comics Scholarship, 2018
The three Newcastle Science Comic anthologies – Science FACT-ion, Asteroid Belter, and Spineless – contain 63 pages of original comics by 84 contributors, as collaborations between science researchers and comics creators.
Lydia Wysocki
doaj   +2 more sources

Comic Impossibilities

open access: yesThe Journal of Aesthetics and Art Criticism, 2020
ABSTRACTMagic and stand-up comedy have a lot in common. For example, when successful, both tend to elicit laughter, and many magicians regularly perform in comedy clubs. Nevertheless, the close relationship between magic and comedy is poorly understood.
openaire   +2 more sources

The ‘Belgrade Circle’ : Pushkin, Lermontov, Gogol and Tolstoy in Serbian interwar comics [PDF]

open access: yes, 2020
As not everyone knows, the ‘Belgrade Circle’, the collective of comics authors who ushered in the so-called ‘Golden Age of Serbian comics’ (from the 1930s until WW II), had many Russian émigrés among its members. This contribution mainly deals with their
De Dobbeleer, Michel
core  

New Choices of the Comics Creator

open access: yesThe Comics Grid: Journal of Comics Scholarship, 2019
Theorisations of comics and graphic narrative have tended to focus on readership rather than creation. Even McCloud’s seminal Understanding Comics (1993) focuses on interpretation, though the later Making Comics (2006) pays more attention to the work of ...
Paul Davies
doaj   +2 more sources

Comment la bande dessinée nativement numérique influence le champ de la bande dessinée papier

open access: yesComicalités, 2022
Analysing the phenomenon of comics blogs in the late 2000s, Sébastien Rouquette states that despite their institutional, media and audience success, the digital transition of comics has had only a limited impact on the book industry (2009: 119).
Gaëlle Kovaliv
doaj   +1 more source

Science comics as tools for science education and communication: a brief, exploratory study [PDF]

open access: yesJCOM: Journal of Science Communication, 2009
Comics are a popular art form especially among children and as such provide a potential medium for science education and communication. In an attempt to present science comics in a museum exhibit I found many science themed comics and graphic books. Here
M. Tatalovic
doaj  

Cross-cultural dialogue between Chinese satirical cartoons and Western satirical cartoons in the 20th century — Taking Xi You Man Ji as an example [PDF]

open access: yesSHS Web of Conferences
In the 20th century, Chinese comics flourished for the purpose of saving the world and enlightening new knowledge, and during this period, comics took popular culture as the field and became an important force for the Chinese art world to participate in ...
Chen Yining
doaj   +1 more source

Writing About Comics and Copyright [PDF]

open access: yes, 2013
Academics who research and write about the visual world often complain about the way in which copyright law can hinder their scholarly endeavours, and with good reason.
Deazley, Ronan, Mathis, Jason
core   +1 more source

Loving Comics in Neil the Horse Comics and Stories

open access: yesComicalités, 2021
This article examines the love of comics or bedephilia discernible in Katherine Collins’s Neil the Horse Comics and Stories, a short-lived comic from the 1980s.
Maaheen Ahmed
doaj  

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