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СЦЕНІЧНІ АДАПТАЦІЇ МАСОК РІЗНИХ ЕПОХ У РЕЖИСЕРСЬКИХ ПОШУКАХ ПЕРШОЇ ТРЕТИНИ ХХ ст.
Вісник КНУКіМ: Серія Мистецтвознавство, 2020 Мета статті – проаналізувати концепції універсального актора та висвітлити фрагменти сценічної адаптації масок різних епох у творчості провідних режисерів першої третини ХХ ст. – Є. Вахтангова, Г. Крега, Леся Курбаса, Вс. Мейєрхольда, О. Таїрова.
Tetiana Boiko, Maryna Tatarenko
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Le nouveau cirque américain [PDF]
, 2002 On peut dire que depuis ses débuts, vers les 1870, le cirque américain a connu des périodes où il aspirait au grand art et où il empruntait au théâtre des artistes, des techniques et la dramaturgie. Ce n’est qu’en
Albrecht, Ernest
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Performance Practice Bibliography 1990 [PDF]
, 1991 A bibliography concerning works published in the field of historical performance practice in ...
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Time's Arrow New Music Ensemble, April 12, 2006 [PDF]
, 2006 This is the concert program of the Time's Arrow performance on Wednesday, April 12, 2006 at 8:00 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performed were "Composer's Holiday" by Lukas Foss, "Three Poems of Sylvia Plath" by James Radford, "
School of Music, Boston University
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Therapeutic theatre and spontaneity: Goethe and Moreno [PDF]
, 2006 Moreno noted a similarity between a late 18th Century play by the great German scholar and artist, Goethe, and some elements of psychodrama, which can be substantiated; however, Goethe was not, as Moreno suggested, an early promoter of spontaneity.
Scheiffele, Eberhard
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The Memory of an Artist of Memory [PDF]
, 1995 The Memory of an Artist of ...
Plesniarowicz, Krzysztof
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A commedia dell’arte: mito, profissão e arte
ArtCultura, 2016 O título deste texto quer sugerir o frágil ponto de equilíbrio em que se pode situar o fenômeno teatral historicamente determinado da commedia dell’arte.
Maria de Lourdes Rabetti (Beti Rabetti)
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O teatro de Vakhtângov: fundamentos de uma prática teatral
RUS (São Paulo), 2017 Este artigo aborda aspectos da trajetória do encenador Evguiêni Bagratiónovitch Vakhtângov na elaboração de sua poética da cena, principalmente no que concerne à apropriação de elementos da commedia dell’arte e do sistema de Stanislávski.
Adriane Maciel Gomes
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OuvirOUver, 2009 O presente artigo busca estabelecer uma ligação entre algumas Manifestações Espetaculares Populares do Brasil (samba, capoeira e frevo) e Itália (Máscaras da Commedia dell’Arte), privilegiando as teorias da imagem e do imaginário encontradas em Bachelar ...
Joice Aglae Brondani
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Citare il gesto in scena. Teatro del Novecento e Commedia dell’Arte [PDF]
Parole Rubate, 2017 This article tackles the theoretical issue of gestural citability in theatrical performance and verifies the presence of the quotation of a distinctive gestural art in early twentieth-century productions openly inspired by the Commedia dell’Arte.
Paola Ranzini
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