Results 31 to 40 of about 228 (116)

Stylization of Commedia dell’arte in Latvian and Foreign Modernist Drama and Theatre: Methods and Sources

Interlitteraria, 2015
The chosen research subject – stylization of commedia dell’arte in Latvian and foreign Modernist drama and theatre – is a little studied theme in Latvian literary and theatre theory. Unrealistic representations (which are connected with theatricalization)
Viktorija Slūka
doaj   +1 more source

Traditional and modern pigments in Gino Severini's Swiss murals

Color Research &Application, Volume 49, Issue 1, Page 124-143, January/February 2024.
UVL, Vis, and VIL photographic records of a detail of Severini's mural at the Couvent des Capucins in Sion (1947). ©SUPSI. Abstract Between 1924 and 1947, Gino Severini decorated five churches in the Romand region of Switzerland with monumental religious wall paintings.
Patrizia Moretti, Stefan Zumbühl, Nadim Scherrer, Francesca Piqué   +3 more
wiley   +1 more source

A commedia dell’arte: mito, profissão e arte

ArtCultura, 2016
O título deste texto quer sugerir o frágil ponto de equilíbrio em que se pode situar o fenômeno teatral historicamente determinado da commedia dell’arte.
Maria de Lourdes Rabetti (Beti Rabetti)
doaj   +2 more sources

La riforma dell’arte drammatica e i suoi protagonisti: Baron e Adrienne Le Couvreur e l’influenza della Commedia dell’Arte nell’evoluzione della declamazione tragica settecentesca

Itinera, 2011
La riforma dell’arte drammatica nel primo Settecento francese trova in Baron e in Adrienne Le Couvreur, attori della Comédie Française, due protagonisti d’eccezione.
Alessia Gennari
doaj   +1 more source

Attori-autori della Commedia dell’Arte

Quaderns d'Italià, 1997
L’articolo si focalizza sulla drammaturgia degli attori-autori della Commedia dell’Arte cercando di estrapolarne i tratti comuni. La produzione letteraria dei comici è imponente per quantità e varietà.
Cesare Molinari
doaj   +1 more source

Vincenza Armani

Drammaturgia, 2020
Vincenza Armani was one of the first actresses in the Commedia dell’Arte of whom we have some news. Endowed with excellent oratory and musical skills, her legacy can be traced in the reports of Mantuan shows of the late Sixties of the Sixteenth century ...
Eloisa Pierucci
doaj   +1 more source

Rokoko Dönemi Alman Porselen Fabrikalarında 'Commedia Dell Arte' Bibloları

Art and Interpretation
Rokoko sanatının hâkim olduğu 18. Yüzyıl, bilim ve felsefede ise İmmanuel Kant’ın “Aklını kullanma cesaretini göster” ifadesiyle simgelenen rasyonalizm ve Aydınlanma Çağı olarak şekillenmiştir.
Hülya Kalyoncu
doaj   +1 more source

Editorial: Comicidade e Commedia dell'Arte

Conceição/Conception, 2017
O presente número da Conceição/Conception (vol. 6, n. 1) foi organizado em parceria com a Profa. Dra. Vilma Campos dos Santos Leite, da Universidade Federal de Uberlândia, tendo como temática o estudo da comicidade e Commedia dell’Arte.
Mariana Baruco Andraus
doaj   +1 more source

Sulla pista, in scena. Le pantomime di Félicien Champsaur al circo Molier e al Noveau Cirque

Drammaturgia, 2020
The varied universe of the performances of Molier circus and the Nouveau Cirque finds its synthesis in Félicien Champsaur’s pantomimes, Les Éreintés de la vie (Circus Molier, 6th and 11th June 1888) and Lulu (Nouveau Cirque, 1st October 1888), not just ...
Elena Mazzoleni
doaj   +1 more source

Illustrating Kant’s Aesthetic Theory: Mime, Pantomime, Commedia dell’Arte

Estetika
Kant’s Critique of the Power of Judgement, a seminal work in the history of aesthetics, contains some puzzling passages about mime and gesture. This article examines these references as well as Kant’s claims about commedia dell’arte, considering his ...
Robert R. Clewis
doaj   +1 more source