Results 11 to 20 of about 243 (132)

Levels of presence in the drama text: Between close and distant reading1

Orbis Litterarum, Volume 78, Issue 5, Page 401-420, October 2023., 2023
Abstract Digital studies of drama have tended to emphasise the written text and network analyses. As theatre scholars, we have approached the field from a different perspective by focusing on levels of presence. This includes the embodied presence of not only the speaking characters, but also the non‐speaking characters and the imagined characters ...
Ulla Kallenbach, Anna Lawaetz
wiley   +1 more source

PRIVATE RELIGION AS RESISTANCE IN ANNA SEGHERS’ DER PROZESS DER JEANNE D'ARC ZU ROUEN 1431 (1937) AND BERTOLT BRECHT'S 1952 STAGE ADAPTATION

German Life and Letters, Volume 76, Issue 3, Page 392-409, July 2023., 2023
ABSTRACT This article will examine the representation of religion in Anna Seghers’ radio play Der Prozess der Jeanne d'Arc zu Rouen 1431 (1937) and Bertolt Brecht's subsequent adaptation of this text for the stage (1952). While religiosity is central to the identity of the medieval heroine, Seghers chooses to communicate this feature to modern ...
Cordula Böcking
wiley   +1 more source

Female Representation and Violence in the Ceremonial Entries of the Italian Wars

Renaissance Studies, Volume 36, Issue 5, Page 750-768, November 2022., 2022
Abstract This essay considers the gendered implications of female representation in the ceremonial entries of the Italian Wars (1494–1559) in light of the events' hyper‐masculine martial context. It takes a holistic approach, uncommon in entry scholarship, by considering the thematic intersections between entry decorations, participation, performance ...
Elizabeth Reid
wiley   +1 more source

Early encounters

Orbis Litterarum, Volume 76, Issue 6, Page 278-289, December 2021., 2021
Abstract This essay discusses two early encounters of theater that took place in different parts of the world at approximately the same time: in the German‐speaking countries in Europe and on the islands of Japan in Asia during the second half of the sixteenth century and the first decades of the seventeenth century. In both cases a particular kind of “
Erika Fischer‐Lichte
wiley   +1 more source

A parody of action: Politics and pantomime in Agamben's critique of Arendt

, 2022
Constellations, Volume 29, Issue 4, Page 404-416, December 2022.
Sergei Prozorov
wiley   +1 more source

‘The Spanish seignor’ or the transnational peregrinations of an anti‐Hispanic Dutch broadsheet

, 2022
Renaissance Studies, Volume 36, Issue 1, Page 46-64, February 2022.
Yolanda Rodríguez Pérez
wiley   +1 more source

Il ponte e lo specchio

Antropologia e Teatro, 2021
Starting point of the article’s thesis is the author's personal experience of theatrical practice and contact with other theatrical cultures, especially in Asia and, even more, in Japan.
Fabio Mangolini
doaj   +1 more source

The Influence of Commedia Dell’arte is Evident in the Opera: Don Giovanni

Konservatoryum
The study looks at the opera Don Giovanni, written by Lorenzo da Ponte and composed by W.A. Mozart, and how it was influenced by commedia dell’arte. The study looks at the historical process of the figure of Don Juan, which emerged in the Spanish Golden ...
Furkan Aktakka
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Commedia dell’arte și grummelot-ul

Symbolon, 2020
Commedia Dell’Arte and the Grammelot Commedia dell’Arte appeared in the 16th century in Italy. This theatrical genre expanded its existence for over two and a half centuries.
Ciprian Scurtea
doaj  

Three Plays by Austin Clarke and the Commedia Tradition

Studi Irlandesi, 2011
Commedia dell’arte influenced theatrical production styles in many European countries, Ireland being no exception, assimilating the influence through pantomime during colonial times.
Christopher Murray
doaj   +1 more source