Results 21 to 30 of about 243 (132)
Rhetorik und Schriftbildlichkeit von literarischen Pantomimen
Orbis Litterarum, Volume 80, Issue 6, Page 619-628, December 2025.Zusammenfassung Da sich die Pantomime als sogenannte „wortlose Kunst“ ihrer Verschriftlichung eigentlich entzieht, sind einige Texte der Pantomime um 1900 bezüglich ihrer Darstellungsverfahren besonders erfinderisch. Sie enthalten Notationen, Bilder, Zeichnungen und generieren rhetorische Figuren, um die Bewegung des Körpers auf der Bühne in den Texten
Nina Tolksdorf
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Truffaldino - sługa dwóch żołądków
Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria, 2017 Truffaldino – servant of two stomachs Abstract The article treats about the relationship between one of Carlo Goldoni’s first plays – Servantof Two Masters – and the tradition of commedia dell’arte.
Paulina Kwaśniewska-Urban
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Commemorating Festive Performances in Popular Print in Sixteenth‐Century Italy☆
Renaissance Studies, Volume 39, Issue 5, Page 632-657, November 2025.Abstract The aim of this article is to show that the popular print sold and distributed during and after festive events, such as Carnival, had an impact on the commemoration and shaping of festive culture in early modern Italy. That is, the mass medium of print that had begun to shape European cultures, especially in Italy where Venice was one of ...
Rozanne Versendaal
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Commedia dell’arte et enseignement-apprentissage des langues
SCENARIO: Journal for Performative Teaching, Learning, ResearchLa commedia dell’arte est une forme dramaturgique à haut potentiel éducatif et patrimonial, produite au sein de la tradition théâtrale italienne. Elle jouit d’une fortune stable à l’international, tant dans les milieux artistiques professionnels que ...
Filippo Fonio
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Comicidade e Comedia dell´Arte: Texto de Abertura
Conceição/Conception, 2017 Esse número abarca estudos relacionados ao cômico como, por exemplo, a dimensão da linguagem clownesca e do bufão, assim como abordagens que se utilizam da máscara mesmo que não restritas ao próprio gênero ligado ao riso.
Vilma Campos Leite
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Cognitive Theories of Galant Music at the Margins of Experience
Music Analysis, Volume 44, Issue 3, Page 293-339, October 2025.ABSTRACT Leading cognitive studies of galant music treat schematism as both a device and an ethos. The devices – whether called pre‐fabs, tiles or schemata – undergird a mechanistic and passive ethos of inventiveness. In vision and practice, this constellation of approaches directs inquiry away from a musical depth that one contemplates and towards a ...
Edmund J. Goehring
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A relevância da mulher/atriz no teatro na Commedia dell´Arte.
CenaO artigo trata da Commedia dell’Arte com foco na obra La Mirtilla da atriz e dramaturga Isabella Andreini. Essa peça é escolhida para fazer uma análise acerca de questões relacionadas ao sexo feminino, e de críticas sociais que a atriz faz às imposições
FREDERICK Hunzicker, DIANA FELICORI
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Interlitteraria, 2015 The chosen research subject – stylization of commedia dell’arte in Latvian and foreign Modernist drama and theatre – is a little studied theme in Latvian literary and theatre theory. Unrealistic representations (which are connected with theatricalization)
Viktorija Slūka
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Tipologie femminili nella Commedia dell’Arte
Il castello di Elsinore, 2020 The presence of the female characters is the main feature of the professional theatre during the 16th and 17th centuries. Some of the actress built their fame through the uninhibited use of their body, some others through literature and painting.
Siro Ferrone
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Gennaro Sacco, słynny Coviello, i jego trzy sztuki
Pamiętnik Teatralny, 2023 This article analyzes three plays published by Gennaro Sacco, a dell’arte actor-playwright who visited the Polish royal court in 1699. Sacco became famous for his role as Coviello.
Jolanta Dygul
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