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La Commedia dell’Arte

open access: yesQuaderns d'Italià, 1997
Questo articolo analizza le origini e lo sviluppo della Commedia dell’Arte e del tipo di drammaturgia utilizzata. All’inizio del Cinquecento il mestiere di chi si guadagnava da vivere recitando divenne molto diffuso e si trasformò da attività ...
Siro Ferrone
doaj   +9 more sources

A commedia dell'arte e sua reoperacionalização The Commedia dell'arte and his reoperation

open access: yesTrans/Form/Ação, 2001
Análise da commedia dell'arte a partir de uma perspectiva histórico-crítica, enfatizando-se as várias maneiras de sua apropriação no século XX. Partindo de elementos da commedia dell'arte, serão ressaltados os temas da migração do teatro de praça para o ...
José Eduardo Vendramini
doaj   +2 more sources

Editorial: Comicidade e Commedia dell'Arte

open access: yesConceição/Conception, 2017
O presente número da Conceição/Conception (vol. 6, n. 1) foi organizado em parceria com a Profa. Dra. Vilma Campos dos Santos Leite, da Universidade Federal de Uberlândia, tendo como temática o estudo da comicidade e Commedia dell’Arte.
Mariana Baruco Andraus
doaj   +3 more sources

Diasporic Transgressions of Commedia dell’arte [PDF]

open access: yesCaietele Echinox, 2023
Ever since its “birth certificate” on February 25, 1545, Commedia dell’arte’s substantial resources of itineracy, improvisation, subversion, extraterritoriality, extemporaneity, laughter, and joy have unceasingly unveiled their essential mutability and ...
Gabriel C. Gherasim
doaj   +1 more source

Commedia dell’arte and the Gate Theatre

open access: yesReview of Irish Studies in Europe, 2021
This essay reveals the centrality of commedia dell’arte in defining the Gate’s theatrical style in the first four decades of its existence. In its theatricality, as well as its emphasis on the international and the queer, Hilton Edwards and Micheál mac ...
Ian R. Walsh
doaj   +3 more sources

Spitballing, slapstick, lazzi and improvisation: The benefits of practising Commedia dell’Arte in secondary schools

open access: yesThe European Journal of Humour Research, 2015
Commedia dell’Arte is the 16th century genre of theatre from Italy where characters such as Pantalone, Dottore, Il Capitano and Arlecchino reappear in performances showcasing human frailties in comic ways. The term Commedia was initially used to describe
Corinna Di Niro, Pablo Muslera
doaj   +3 more sources

La Commedia dell’Arte. Un fenomeno europeo

open access: yesDrammaturgia, 2020
The expression ‘Commedia dell’Arte’ refers to a Europe-wide theatrical phenomenon based on the activity of professionals gifted with many abilities and willing to travel.
Siro Ferrone
doaj   +1 more source

"In questo", il teatro gli scenari della commedia dell'arte "In this", the theater and the scenery of the commedia dell'arte

open access: yesTrans/Form/Ação, 2001
Il segreto della commedia dell'arte è stato nel paradosso di Maschera e Improvvisazione, Tipo Fisso e Testo Variabile, Conservazione e Innovazione. Per questo è stato nei secoli esaltata o denigrata: considerata reazionaria dalla Rivoluzione francese e ...
Roberto Cuppone
doaj   +1 more source

Komedia dell'arte: między lokalnością a globalnością

open access: yesAnnales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria, 2017
Commedia dell’arte: between localism and globalism Abstract Subject to the present review is Lokalność i mobilność kulturowa teatru. Śladami Arlekinai Pulcinelli of Ewa Bal.
Aleksandra Koman
doaj   +1 more source

Las harpías en Madrid y coche de las estafas, de Castillo Solórzano: entre novela y puesta en escena

open access: yesEdad de Oro, 2018
Este artículo se propone estudiar la colección de novelas cortas titulada Las harpías en Madrid y coche de las estafas, de Alonso de Castillo Solórzano.
Luana Bermúdez
doaj   +1 more source

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