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A commedia dell'arte e sua reoperacionalização The Commedia dell'arte and his reoperation
Trans/Form/Ação, 2001 Análise da commedia dell'arte a partir de uma perspectiva histórico-crítica, enfatizando-se as várias maneiras de sua apropriação no século XX. Partindo de elementos da commedia dell'arte, serão ressaltados os temas da migração do teatro de praça para o ...
José Eduardo Vendramini
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Diasporic Transgressions of Commedia dell’arte [PDF]
Caietele Echinox, 2023 Ever since its “birth certificate” on February 25, 1545, Commedia dell’arte’s substantial resources of itineracy, improvisation, subversion, extraterritoriality, extemporaneity, laughter, and joy have unceasingly unveiled their essential mutability and ...
Gabriel C. Gherasim
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Commedia dell’arte and the Gate Theatre
Review of Irish Studies in Europe, 2021 This essay reveals the centrality of commedia dell’arte in defining the Gate’s theatrical style in the first four decades of its existence. In its theatricality, as well as its emphasis on the international and the queer, Hilton Edwards and Micheál mac ...
Ian R. Walsh
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The European Journal of Humour Research, 2015 Commedia dell’Arte is the 16th century genre of theatre from Italy where characters such as Pantalone, Dottore, Il Capitano and Arlecchino reappear in performances showcasing human frailties in comic ways. The term Commedia was initially used to describe
Corinna Di Niro, Pablo Muslera
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Levels of presence in the drama text: Between close and distant reading1
Orbis Litterarum, Volume 78, Issue 5, Page 401-420, October 2023., 2023 Abstract Digital studies of drama have tended to emphasise the written text and network analyses. As theatre scholars, we have approached the field from a different perspective by focusing on levels of presence. This includes the embodied presence of not only the speaking characters, but also the non‐speaking characters and the imagined characters ...
Ulla Kallenbach, Anna Lawaetz
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German Life and Letters, Volume 76, Issue 3, Page 392-409, July 2023., 2023 ABSTRACT This article will examine the representation of religion in Anna Seghers’ radio play Der Prozess der Jeanne d'Arc zu Rouen 1431 (1937) and Bertolt Brecht's subsequent adaptation of this text for the stage (1952). While religiosity is central to the identity of the medieval heroine, Seghers chooses to communicate this feature to modern ...
Cordula Böcking
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Female Representation and Violence in the Ceremonial Entries of the Italian Wars
Renaissance Studies, Volume 36, Issue 5, Page 750-768, November 2022., 2022 Abstract This essay considers the gendered implications of female representation in the ceremonial entries of the Italian Wars (1494–1559) in light of the events' hyper‐masculine martial context. It takes a holistic approach, uncommon in entry scholarship, by considering the thematic intersections between entry decorations, participation, performance ...
Elizabeth Reid
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Orbis Litterarum, Volume 76, Issue 6, Page 278-289, December 2021., 2021 Abstract This essay discusses two early encounters of theater that took place in different parts of the world at approximately the same time: in the German‐speaking countries in Europe and on the islands of Japan in Asia during the second half of the sixteenth century and the first decades of the seventeenth century. In both cases a particular kind of “
Erika Fischer‐Lichte
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La Commedia dell’Arte. Un fenomeno europeo
Drammaturgia, 2020 The expression ‘Commedia dell’Arte’ refers to a Europe-wide theatrical phenomenon based on the activity of professionals gifted with many abilities and willing to travel.
Siro Ferrone
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A parody of action: Politics and pantomime in Agamben's critique of Arendt
, 2022 Constellations, Volume 29, Issue 4, Page 404-416, December 2022.
Sergei Prozorov
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