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Different arts-based interventions for depression and anxiety in college students: a network meta-analysis of rigorous randomized controlled trials. [PDF]

BMC Psychol
Chen P, Jia S, Deng Y, Cheng J, Tang T, Li H, Li H, Ma H, Zhang T.   +8 more
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Music elicits different gene expression responses in the buccal cavity of age-related cognitive disorders patients and healthy controls. [PDF]

Front Aging Neurosci
Gómez-Carballa A, Navarro L, Mallah NEZ, Bello X, Pischedda S, Viz-Lasheras S, Currás MJ, Ferreirós-Vidal I, Mallah N, Montoto-Louzao J, Camino-Mera A, Castelo-Martínez L, Rey-Vázquez S, Redondo L, Dacosta-Urbieta A, Rivero-Calle I, Rodríguez-Tenreiro C, Martinón-Torres F, Salas A.   +18 more
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Complemental Learning Assist for Musical Instruments by Haptic Presentation

2018 IEEE 15th International Workshop on Advanced Motion Control (AMC), 2018
Haptics is one of effective interface giving information as a position, force, and object texture. When people learn to motion like playing musical instruments, feedback for the operator is necessary such as visual, hearing, and haptics. In this paper, we proposed haptic assist on musical instruments playing.
Kazushige Ashimori, Hiroshi Igarashi
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Are Streaming and Other Music Consumption Modes Substitutes or Complements?

SSRN Electronic Journal, 2012
From a representative survey of 2,000 French individuals, we study whether consumption of music through streaming services, such as Spotify or YouTube, is a substitute or a complement to other music consumption modes such as CD, pay-downloads or live music.
Godefroy Dang Nguyen, Sylvain Dejean, François Moreau   +2 more
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The Complement Union Property in the Music of Elliott Carter

Journal of Music Theory, 2004
Many aspects of Elliott Carter's pitch language are well understood by music theorists, including his use of all-interval series, his technique of distributing intervals among instruments, and his use of the all-interval tetrachords and all-trichord hexachord.1 One feature of Carter's music that has not been widely discussed involves a situation where ...
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A Transformational Space for Elliott Carter’s Recent Complement-Union Music

2009
Elliott Carter’s recent music exploits a special combinatorial property of the all-trichord hexachord. I show how this property can be reconceived in terms of interesting and analytically significant musical transformations: three involutions on the pitch-class aggregate which constitute a Klein four-group, and which have a natural interpretation as ...
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