Results 181 to 190 of about 1,768 (229)

Computer graphics facial animation of Japanese speech using three-dimensional dynamic visemes

open access: closedThe Journal of the Acoustical Society of America, 2006
Speech production makes not only acoustic signals but also visual images of the face especially for the jaw, lips, teeth, and tongue. To reproduce realistic facial images during Japanese speech, a three-dimensional computer graphics model of Japanese visemes was made.
Makoto J. Hirayama
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AVATAR: Human-Computer Interface for Interaction with Children using a Live Animation Process Based in Facial and Body Landmarks Recognition

open access: closed2021 International Conference on Computing, Communication, and Intelligent Systems (ICCCIS), 2021
This document shows the process through which we went through for extracting key points in the pose and devices used as well as in extracting the points from the face, which was used image processing and a classifier. To provide movement to computer-created models based on human models, the Blender tool was used to provide add-ons needed for the proper
Henry J. Jara-Quito   +4 more
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Computer Animation of Facial Emotions

open access: closed2010 International Conference on Cyberworlds, 2010
Computer facial animation still remains a very challenging topic within the computer graphics community. In this paper, a realistic and expressive computer facial animation system is developed by automated learning from Vicon Nexus facial motion capture data.
Choong Seng Chan, Flora S. Tsai
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Marker-based tracking using temporal coherence in computer facial animation system

open access: closed2016 2nd International Conference on Science in Information Technology (ICSITech), 2016
High demand on the productivity of the animation industry in Indonesia requires a change in the existing production process. Motion capture technology is the implementation of a computer vision principle to adopt the human eye senses to understand the phenomenon of motion results from a camera and mapped the virtual movement patterns.
Samuel Gandang Gunanto   +2 more
openalex   +3 more sources

Colouration Issues in Computer Generated Facial Animation

open access: closedComputer Graphics Forum, 1995
AbstractIn everyday interactions with one another we use the face for recognising people and for communicating with them. Despite the considerable amount of research into computer generated facial animation, one particular aspect, that of the colouration of the face appears to have been neglected. In this paper we address issues pertinent to the use of
Manjula Patel
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3D animation of facial plastic surgery based on computer graphics

open access: closedSPIE Proceedings, 2013
More and more people, especial women, are getting desired to be more beautiful than ever. To some extent, it becomes true because the plastic surgery of face was capable in the early 20th and even earlier as doctors just dealing with war injures of face.
Zonghua Zhang, Yan Zhao
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Computer facial animation with synthesize marker on 3D faces surface

open access: closed2016 2nd International Conference of Industrial, Mechanical, Electrical, and Chemical Engineering (ICIMECE), 2016
An animated character has its own characteristics and behaviour. The animator needs to be skilled enough to make a complex animation, especially on making face expression. a Well defined facial expression can represent the emotional condition and make the animation more expressing the mood. But most facial animation is done by manually, frame-by-frame.
Samuel Gandang Gunanto   +2 more
openalex   +3 more sources

MARC: a framework that features emotion models for facial animation during human–computer interaction

open access: closedJournal on Multimodal User Interfaces, 2013
Emotions and their expressions by virtual characters will play a key role in future affective human–machine interfaces. Recent advances in the psychology of emotions and recent progress in computer graphics allow researchers to animate virtual characters that are capable of subtly expressing emotions.
M. Courgeon, Céline Clavel
openalex   +3 more sources

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