Results 11 to 20 of about 4,138,608 (238)
Goldsmiths Electronic Music Studios: 40 Years [PDF]
This year marks the 40th anniversary of the founding of the Electronic Music Studios (EMS) at Goldsmiths, University of London. The 1968 studio placed Goldsmiths at the forefront of such developments in the UK university sector.
Stonehouse, Ian +3 more
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Reconstructing Computer Music Works Ethos and Praxis [PDF]
Panel at ICMC2018. Participants: Myriam Akkerman (Bayreuth), Kevin Dahan (DMU; chair), Serge Lemouton (IRCAM), Tae Hong Park (NYU).Computer Music is now 60 years old.
Dahan, Kevin
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(Re)discovering Sounds of CCRMA - Towards Computer Music Preservation [PDF]
Center for Computer Research in Music and Acoustics (CCRMA), Stanford UniversitySixty years after the initial experiments on digital sound synthesis, we are now facing several problems regarding the preservation of computer music artefacts.
Dahan, Kevin
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Recent work in interpersonal coordination has revealed that neural oscillations, occurring spontaneously in the human brain, are modulated during the sensory, motor, and cognitive processes involved in interpersonal interactions.
Auriel Washburn +10 more
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Teknologi Komputer dan Proses Kreatif Musik Menuju Revitalisasi Pembelajaran Seni Musik
The impact of computer technology advancement in current music education, as well as musical life in general, is undoubted cannot be avoided. Modern music software has given a great contribution to musical creativity so that computer technology can help ...
Tri Wahyu Widodo
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Reflections on the History of Computer-Assisted Music Analysis I: Predecessors and the Beginnings
This article is the first of a series that focuses on the history of computer-assisted music analysis. This first article discusses the philosophical basis of computer-assisted music analysis, i.e.
Nico Schüler
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While approaches that had already established historical precedents – computer-assisted analytical approaches drawing on statistics and information theory – developed further, many research projects conducted during the 1980s aimed at the development of ...
Nico Schüler
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Challenges and Opportunities of Force Feedback in Music
A growing body of work on musical haptics focuses on vibrotactile feedback, while musical applications of force feedback, though more than four decades old, are sparser.
Christian Frisson, Marcelo M. Wanderley
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Pd and Audio Programming in the 21st Century
In celebration of the 25th anniversary of Pure Data, this essay discusses the development of audio programming up to the present, and considers the role that Pd can continue to play in the computer music of the future.
Eric Lyon
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Music Computer Technologies in Education as a Tool for Implementing the Polymodality of Musical Perception [PDF]
The article reveals the psychological aspects of the perception of music and interaction with it when using music computer technologies, which are a software and hardware complex (musical computer, keyboard synthesizer, DJ console, smartphone with sound ...
Irina B. Gorbunova +1 more
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