Results 31 to 40 of about 4,138,608 (238)
Two perspectives on rebooting computer music education: Composition and computer science [PDF]
, 2019 Laptop ensembles and orchestras, in addition to being hubs for collectives of experimental musicians, have become a popular feature in music technology tertiary education curricula. The (short) history of such groups reveals tensions in what these groups
Swift, Ben +2 more
core +1 more source
Designing audio processing strategies to enhance cochlear implant users' music enjoyment
Frontiers in Computer ScienceCochlear implants (CIs) provide hundreds of thousands of users with increased access to sound, particularly speech, but experiences of music are more varied.
Lloyd May +5 more
doaj +1 more source
An Edible Chitosan‐Based Acoustic Sensor for Sound‐Responsive Actuation in Edible Robots
Advanced Functional Materials, EarlyView.This study introduces an edible acoustic sensor for robotic food and edible robotics. Built from a chitosan piezoelectric film between gold electrodes, the sensor enables acoustic communication through ON/OFF keying. Integrated into an edible robot with pneumatically actuated arms and neck, it responds to high‐frequency tones.
Valerio Francesco Annese +8 more
wiley +1 more source
Educação & Formação, 2020 The processes of informatization transform the environment of professional activity of a contemporary music teacher, cause the formation of new educational needs of students of musical and pedagogical specialties, necessitate significant changes in the ...
Irina Borisovna Gorbunova +1 more
doaj +1 more source
Advanced Functional Materials, EarlyView.Conversion‐induced sulfur expansion generates strong mechanical constraints and localized stresses within solid‐state Li‐S cathodes. Heterogeneous solid‐electrolyte confinement creates tensile strain‐energy hotspots that govern particle cracking. Larger sulfur particles accelerate fracture, while higher porosity relaxes constraint and delays damage ...
Arpan K. Sharma +3 more
wiley +1 more source
Software agents in music and sound art research/creative work: Current state and a possible direction [PDF]
, 2009 Composers, musicians and computer scientists have begun to use software-based agents to create music and sound art in both linear and non-linear (non-predetermined form and/or content) idioms, with some robust approaches now drawing on various ...
Whalley, Ian, Ian Whalley
core +1 more source
Computer music and post-acousmatic practices
, 2022 This short paper considers the practices of computer music through a perspective of the post-acousmatic. As the majority of music is now made using computers, the question emerges: How relevant are the topics, methods, andconventions from the “historical”
Rudi, Joran, Holbrook, Ulf
core +4 more sources
Frequency-Zooming ARMA Modeling for Analysis of Noisy String Instrument Tones
EURASIP Journal on Advances in Signal Processing, 2003 This paper addresses model-based analysis of string instrument sounds. In particular, it reviews the application of autoregressive (AR) modeling to sound analysis/synthesis purposes.
Esquef Paulo AA +2 more
doaj +1 more source
Frontiers in Psychology, 2018 Noise has become integral to electroacoustic music aesthetics. In this paper, we define noise as sound that is high in auditory roughness, and examine its effect on cross-modal mapping between sound and visual shape in participants.
Kongmeng Liew +5 more
doaj +1 more source
Advanced Materials Technologies, EarlyView.Hierarchical multi‐material TPMS lattices are engineered as flexible tactile sensors by combining soft and stiff elastomeric layers with a conformal conductive coating. The bilayer architecture delivers sensitivity at low pressures while maintaining a broad detectable range under large loads, enabling reliable pressure and vibration monitoring for ...
Reza Noroozi +3 more
wiley +1 more source