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End-Time Lyrics and Music in Contemporary Christian “ApokRock”

2023
This chapter explores the prevalence of apocalyptic subject matter and imagery in Christian metal music-arguably the most controversial form of Contemporary Christian Music. The first part of the chapter provides a general account of evangelicalism and the historical development of the broader phenomenon of evangelical popular culture, thus situating ...
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Encyclopedia of Contemporary Christian Music

2009
The first comprehensive overview of contemporary inspirational music, covering its historical roots and dramatic growth into one of America's most vital music genres. The Encyclopedia of Contemporary Christian Music: Pop, Rock, and Worship is the first comprehensive reference work on a form of American music that is far more popular than ...
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Behind the Music: Exploring Audiences’ Attitudes toward Gospel and Contemporary Christian Music

The Journal of Communication and Religion, 2014
A number of studies across disciplines have examined the influence of popular music on identity; however, comparative study of Christian music genres, which are clearly racially marked, is lacking. Based on Tajfel and Turner’s social identity perspective, this article examines the ways in which Black listeners of Black gospel and White listeners of ...
Omotayo O. Banjo, Kesha Morant Williams
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Contemporary Christian Music: Public Relations Amid Scandal

The Journal of Religion and Popular Culture, 2005
Christian entertainment. While this notion is an oxymoron to many, it is no longer a foreign concept to the world of business and finance. Largely ignored in the past, this growing sector of the entertainment industry has begun to garner significant appeal with the public, and thus has attracted increased media attention–both mainstream and Christian,
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GROWTH OF CONTEMPORARY CHRISTIAN MUSIC IN THE LAST TEN YEARS (1973-1983)

2023
Source: Masters Abstracts International, Volume: 23-03, page: 3190.
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Jesus in a Chevy? The Rhetoric of Boundary-Work in Contemporary Christian Music

The Journal of Communication and Religion, 2005
The "Chevrolet Presents: Come Together and Worship" Tour was criticized hy individuals both in and outside the Contemporary Christian Music (CCM) industry. The fall 2002 tour, which featured CCM artists Michael W. Smith, Third Day, and preacher Max Lucado, was critiqued because many saw the combination of Chevrolet's corporate sponsorship and Christian
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Apostles of rock: the splintered world of contemporary Christian music

Choice Reviews Online, 2000
David Katz   +2 more
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