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Theology of Music and Hindu Religion: From Divine Origins to Classical Songs

open access: yesReligions, 2021
As a subfield in the study of religion and music, the theology of music is generally understood in Western terms. Yet to fully encompass the rich heritage of music in world religions, the theology of music must welcome non-Western traditions.
Guy L. Beck
exaly   +3 more sources

KODÁLY AND IMPRESSIONISM. THE INFLUENCE OF DEBUSSY [PDF]

open access: yesStudia Universitatis Babeş-Bolyai. Musica, 2023
The paper examines Debussy’s influence on the young Kodály. First, it enumerates those historical events, that link Kodály to Debussy’s music, then it compares his newly developed style with that of his earlier and later works.
Miklós FEKETE
doaj   +1 more source

Music and Orthodox Theology

open access: yesSt Andrews Encyclopaedia of Theology
The expression of theology by means of music in the Orthodox Church is something that has been discussed and regulated since the Patristic era, which itself takes as its basis the Psalms and the Gospels. The way in which this expression has been achieved
Ivan Moody
doaj   +1 more source

THE KODÁLY CONCEPT WITHIN HUNGARIAN MUSIC EDUCATION IN TRANSYLVANIA [PDF]

open access: yesStudia Universitatis Babeş-Bolyai. Musica, 2023
The present study focuses on the native Hungarian music education in Transylvania, tracing the principles and practical elements of the Kodály concept from kindergarten to higher education.
Éva PÉTER
doaj   +1 more source

THE MUSICAL STYLE OF SÁNDOR VERESS’S FOUR TRANSYLVANIAN DANCES. THE SYNTHESIS OF ‘TRADITION’ AND ‘RENEWAL’ [PDF]

open access: yesStudia Universitatis Babeş-Bolyai. Musica, 2023
The paper examines the style of Sándor Veress in his first compositional period through the dance suite Four Transylvanian Dances, written for string orchestra.
Miklós FEKETE
doaj   +1 more source

SÁNDOR VERESS’S THRENOS IN THE LIGHT OF ‘TRADITION’ AND ‘RENEWAL’ [PDF]

open access: yesStudia Universitatis Babeş-Bolyai. Musica, 2023
This paper focuses on the musical analysis of Veress’s orchestral composition, Threnos. Written in 1945 and dedicated to the memory of Bartók, it is a one-movement work, divided into three independent internal sections, each of them representing an ...
Miklós FEKETE
doaj   +1 more source

The Relationship between Color and Music in the Art of Composer Ede Terényi

open access: yesStudia Universitatis Babeş-Bolyai. Musica, 2023
From his early youth, the composer lived his whole life under the spell of colors and color combinations. His talent as an artist was already apparent at the age of six, when, in addition to his piano studies, he enjoyed drawing plants and flowers in ...
Gabriela COCA
doaj   +1 more source

THE ROLE OF THE ORGAN IN THE WORKS OF ZOLTÁN KODÁLY [PDF]

open access: yesStudia Universitatis Babeş-Bolyai. Musica, 2023
Zoltán Kodály composed only two works for organ solo, the Organ Mass (Organoedia) and a Praeludium, which forms the introductory movement to the Pange lingua choral work.
Noémi MIKLÓS
doaj   +1 more source

Paratexts Seeking Understanding: Manuscripts and Aesthetic Cognitivism

open access: yesReligions, 2020
This article explores the relationship between manuscripts of ancient religious literature and aesthetic cognitivism, a normative theory of the value of art.
Garrick V. Allen, Anthony P. Royle
doaj   +1 more source

ORGANS IN TRANSYLVANIA PART 1 – THE ORGANS OF THE BAROQUE PERIOD

open access: yesStudia Universitatis Babeş-Bolyai. Musica, 2021
The following study represents the first chapter of a series, which is intended to shed light on the development of the Transylvanian organ landscape throughout the centuries.
Noémi MIKLÓS
doaj   +1 more source

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