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Myth and Contemporary Cinema

Journal of the American Academy of Religion, 1975
ircea Eliade has characterized his approach to the phenomenon of the modern world as a "demystification in reverse." Whereas secular thinkers like Marx attempted to show the profane meaning behind sacred symbols, Eliade has suggested that "we have to demystify the apparently profane worlds and languages of literature, plastic arts, and cinema in order ...
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Contemporary Romanian Cinema

2013
info:eu-repo/semantics ...
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EXISTENTIALISM AND CONTEMPORARY CINEMA

2011
At the heart of this volume is the assertion that Sartrean existentialism, most prominent in the 1940s, particularly in France, is still relevant as a way of interpreting the world today. Film, by reflecting philosophical concerns in the actions and choices of characters, continues and extends a tradition in which art exemplifies the understanding of ...
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Contemporary Directors’ Cinema

Contemporary Directors’ Cinema refreshes the argument about the role of the director through the practice of evaluative criticism. The book identifies what makes nine recent films successful achievements by their directors and collaborators. Each chapter gives some context for the director’s work, but the central argument focuses on the style,
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Contemporary World Cinema

2020
Since the start of the 1990s, despite tougher competition than ever before from Hollywood, a rebirth and flourishing of cinema has been taking place in parts of Europe, the Middle East, East Asia and South Asia. This book provides an overview of the cinemas of these regions, interpreting some of the recent developments as strategic responses to ...
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Contemporary Argentine Cinema

Rocky Mountain Review of Language and Literature, 1993
Susana Conde, David William Foster
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Contemporary Flemish Cinema

2013
info:eu-repo/semantics ...
Andrin, Muriel, Verbiest, Christophe
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Contemporary Russian Cinema

2016
The study captures the emergence of a new cinematic sensibility and provides a relevant interpretative framework—the so-called symbolic mode. The concept is introduced to account for a particular style of film presentation that has emerged in Russia since 2000. It is characterized by the use of the highly abstracted concepts and visual language.
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Contemporary Spanish cinema

2019
Jordan, B., Morgan-Tamosunas, Rikki
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