Results 141 to 150 of about 657,042 (305)
Classic anthropological accounts of miniature objects have focused on their spatial and aesthetic dimensions, with more recent work addressing their communicative potential, connections with play, and role in protecting threatened cultural knowledge. This article analyses responses to a miniature landscape model of yhyakh, a festival celebrated in the ...
Alison K. Brown
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This article examines how emerging generative AI technologies in Europe and North America are being used to reanimate the dead, prompting users to define the ‘edges’ of self and personhood through coding practices. These technologies invite new engagements with fundamental questions of relatedness and the construction of the self, challenging and ...
Jennifer Cearns
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Listening as the Work of Co-Composing:
For the work of listening can be understood as a collaboration with the musical work itself, and in this sense for Adorno listening, as will be discussed below, is an activity of co-composing or reconstituting the music.
Shierry Weber Nicholsen
doaj
This article – part of a six‐year ethnographic research project – aims to deconstruct and ‘decolonize’ essentialized notions of adolescence and youth, primarily through the application of the category of intersectionality. The research focuses on a series of educational initiatives implemented in San Siro, one of Milan's largest public housing ...
Paolo Grassi
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Anthropologists, in common with social theorists more generally, have often understood social life as an emergent phenomenon grounded in practices of creativity and improvisation. Where stasis and continuity feature, these are often presented as illusory manifestations of underlying processes of ‘invention’, or as external impositions upon otherwise ...
Paolo Heywood, Thomas Yarrow
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By the end of 2013 and the beginning of 2014, Elena Maria Şorban published a book tetralogy, a comprehensive compendium covering the entire music history, from the ancient music to the contemporary creations. Mrs. Şorban is Associate Professor Ph.
Anamaria Mădălina HOTORAN
doaj
Nyau masked dancers embodying a variety of people, animals, and objects appear at many public events in Chewa areas of Malawi. Understood to be the physical manifestation of ancestral spirits, these entities are classified as ‘not human’ and transgress ordinary morality, mocking and threatening audiences.
Sam Farrell
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The role of audiovisual congruence in aesthetic appreciation of contemporary music and visual art. [PDF]
Fink L, Fiehn H, Wald-Fuhrmann M.
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Abstract This article uses rare and detailed data on matriculants to the University of Oxford during the middle decades of the twentieth century as a prism through which to consider gendered processes of recruitment to elite institutions. The article makes four key claims. First, the broader shifts in middle‐class women's labour market participation in
Eve Worth, Naomi Muggleton, Aaron Reeves
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Contrasting a Cassian-Merton model of mystical prayer with moments of Big-C creativity in contemporary music. [PDF]
Priilaid D, Callaghan C.
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