Results 11 to 20 of about 1,879,485 (252)
Curating Contemporary Music Festivals: 2.1 Introduction
NRMI This chapter presents Natural Remote Method Invocation (NRMI): a middleware mechanism that provides a fully-general implementation of call-by-copy-restore semantics for arbitrary linked data structures, used as parameters in remote procedure calls ...
A. Kennedy +5 more
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Abstract Early childhood has increasingly been acknowledged as a vital time for all children. Inclusive and quality education is part of the United Nations Sustainable Development Goals, with the further specification that all children have access to quality pre‐primary education.
Laura H. V. Wright +8 more
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The aim of this paper is to investigate how contemporary music composition aesthetics and performance practices in orchestral music came to be defined and institutionalised in New York City through the 1960s and 1970s.
Lucy Abrams-Husso
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This qualitative study presents an interpretative phenomenological analysis of the lived experiences of three flute players who practice Dalcroze Eurhythmics, an approach to teaching, learning, and understanding music through exploring various music ...
R. Ridout, John Habron
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This paper considers the purpose, values and principles underpinning higher music education (HME) as one of the performing arts in a context of turbulent global change. Recognising complex challenges and opportunities in this field, HME is addressed from
H. Gaunt +6 more
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This article explores the formation of Krishnacore, a phenomenon born from the amalgamation of American straightedge punk and the Hare Krishna Movement in the 1990s.
Mike Dines
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SONEMUS Fest (2015–2018): From ‘Sonic Boom’ to ‘Icarus’
SONEMUS is an organization established in 2001 for the purpose of performing, promoting and educating in the domain of contemporary music. The SONEMUS Festival is the only festival of its kind in Bosnia and Herzegovina and that is the reason for its ...
Rijad Kaniža
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Profil “Kontemporer” Musik Kelahiran Minang
one of musical entities in West Sumatera is the Minangkabau cultural music. The existence of the music has changed significantly since the second half of twentieth century, as an intergral change of Indonesian music in general.
Mahdi Bahar
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Mind-wandering during contemporary live music: An exploratory study
During a live concert, the mind can wander to unrelated thoughts such as personal concerns or past memories or to vivid images that are inspired by the music. This is an omnipresent phenomenon commonly referred to as mind-wandering.
Juliane Deil +5 more
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Current models of aesthetic experience of music (AEM) have emerged in the recent years capitalizing on evidence from psychology and neuroscience research, thus modeling mainly cognitive and information processes in the brain. However, a large part of the
Iris Mencke +3 more
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