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Prioritizing contemporary music
2021Symphony orchestra programming has become steadily more traditional due to the perception that contemporary music will not deliver at the box office. This thesis is a case study of two American regional orchestras, the Alabama Symphony Orchestra and the Albany Symphony, that have found success by making significant institutional commitments to ...
Shawn Galvin, Jean Brody
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2020
This book explores the growing phenomenon of music tourism – instances of people visiting places because of a connection with music. Asking how an abstract art form such as music can lead to tourism and how the popularity of music tourism in contemporary culture might be explained, it presents a comparative study of musical tourism in various locations
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This book explores the growing phenomenon of music tourism – instances of people visiting places because of a connection with music. Asking how an abstract art form such as music can lead to tourism and how the popularity of music tourism in contemporary culture might be explained, it presents a comparative study of musical tourism in various locations
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Music Educators Journal, 1950
This is the second and concluding installment of Mr. Gordon's “down-to-earth” discussion of techniques and problems peculiar to moder music. The first installment appeared in the September–October 1950 issue of the Journal
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This is the second and concluding installment of Mr. Gordon's “down-to-earth” discussion of techniques and problems peculiar to moder music. The first installment appeared in the September–October 1950 issue of the Journal
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Contemporary Composers on Contemporary Music
Music Educators Journal, 1968Peter S. Hansen +2 more
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1999
The classification of contemporary music as a distinct sector of cultural policy may at first appear questionable. In France as in most other countries of Western Europe, the ‘production’ and performance of contemporary ‘academic’ music are closely integrated with, and dependent on, a traditional musical infrastructure of orchestras, concert venues and
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The classification of contemporary music as a distinct sector of cultural policy may at first appear questionable. In France as in most other countries of Western Europe, the ‘production’ and performance of contemporary ‘academic’ music are closely integrated with, and dependent on, a traditional musical infrastructure of orchestras, concert venues and
openaire +1 more source