Keunikan Empat Karya Musik Kontemporer pada Gelaran Seremonialita Javid Nama Tanaka Manalu
Gondang: Jurnal Seni dan Budaya, 2017 Contemporary music emerges as a contemporary development in the journey of the art of music. Contemporary is regarded as a way to respond to the present, or the latest cultivation pattern or also one of the working attitude of art that is involved ...
Wiflihani Wiflihani
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Representation, Radicalism, and Music “After Sound”
Voices, 2021 This commentary presents an experimental-composer’s perspective on contemporary music therapy practice. I begin by offering my impressions of the field, gathered through interviews with practising music therapists, and an examination of the relevant ...
Aaron Moorehouse
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Konservatoryum, 2021 This study examines the symphonic works of contemporary music composer Cengiz Tanç. Tanç emphasizes the importance of Anatolian Folk Music in the formation of Turkish Contemporary Polyphonic Music in many platforms.
Fatih Akman
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Contemporary trends in the use of space in electroacoustic music. [PDF]
, 2008 This paper describes a survey of contemporary approaches towards the use of spatial design in electroacoustic music, focusing on the type of spatial systems used by a sample of composers and the way they conceive the use of space in their music ...
Otondo, Felipe
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The Subversive Songs of Bossa Nova: Tom Jobim in the Era of Censorship [PDF]
Analytical Approaches to World Music, 2014 Bossa nova flourished in Brazil at the end of the 1950s. This was a time of rapid development and economic prosperity in the country, following President Jucelino Kubitschek’s 1956 proclamation of “fifty years of progress in five,” but after the 1964 ...
Priore, Irna, Stover, Chris
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Musik Kontemporer dalam Kurikulum dan Buku Sekolah di Jerman
Resital: Jurnal Seni Pertunjukan, 2014 Tulisan ini menyajikan tentang posisi musik kontemporer dalam kurikulum dan buku sekolah di Jerman. Hal yang dibahas adalah pemilihan materi musik kontemporer untuk setiap kelas, jenis musik kontemporer yang dibahas, serta metode didaktis yang diterapkan.
Yudi Sukmayadi
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We are not a female band, we are a band!”: Female performance as a model of gender transgression in Serbian popular music [PDF]
Muzikologija, 2015 Instrumental performance, leadership, and authorship by women in music has historically been subjected to various repressive regimes, while many of the prejudices and restrictions regarding female musicking can still be discerned in contemporary
Nenić Iva
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Physically inspired interactive music machines: making contemporary composition accessible? [PDF]
, 2003 Much of what we might call "high-art music" occupies the difficult end of listening for contemporary audiences. Concepts such as pitch, meter and even musical instruments often have little to do with such music, where all sound is typically considered as
Loomes, Martin +2 more
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Music listening and cognitive abilities in 10 and 11 year-olds: The Blur effect [PDF]
, 2006 The spatial abilities of a large sample of 10- and 11-year-olds were tested after they listened to contemporary pop music, music composed by Mozart, or a discussion about the present experiment.
Hallam, Susan, Schellenberg, E.
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REFLECTIONS ON THE REPERTORY IN MUSIC EDUCATION: FILLING THE GAP WITH CONTEMPORARY MUSIC
Reflexão & Ação, 2014 Formal musical education in Brasil has been focusing common practice period repertory on all education segments. This research aims to reflect about this gap on musical education’s repertory, especially regarding contemporary music.
Érica Dias Gomes
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