Results 81 to 90 of about 662,827 (207)

Editorial

Trio, 2019
The writings in this issue include five peer-reviewed articles based on the lectures given at the György Ligeti Symposium Helsinki 2017, a transcription of the Keynote Speech by Lukas Ligeti and two reports of Doctoral School events at the Sibelius ...
Markus Kuikka, Elisa Järvi
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Contemporary Music as Reflected in Scholarly Texts: An Analysis of Russian Art History Journals

Современные проблемы музыкознания
The article reviews scholarly texts on contemporary music published in Russian art history journals in 2022–2024. The list of journals includes nearly twenty periodicals.
Yulia N. Panteleeva
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On the contemporary – and contemporary art history. A review of Terry Smith, What Is Contemporary Art [PDF]

Journal of Art Historiography, 2011
This analysis of Terry Smith’s 'What Is Contemporary Art?' evaluates Smith’s ongoing project to theorise contemporary art around the theme of multiple, interconnected temporalities.
Anthony Gardner, Huw Hallam
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In the penprints of György Ligeti in Basle – Historical Aspects on Performance Notes in Piano Etudes 1–6

Trio, 2019
The article is a discussion on tempo markings and performance notes in the first volume of the piano études by György Ligeti. It draws attention to certain differences between the manuscript, the preliminary facsimile editions and the final edition by ...
Elisa Järvi
doaj  

Habitus Formation Through Contemporary Worship Music in Two Church Cases: Implications for Intergenerational Worship

Religions
This article draws upon doctoral case study data from two Protestant Christian churches to examine how contemporary worship music-making practices can reinforce and solidify the musical tastes, dispositions, and tendencies of particular demographics ...
Laura Benjamins
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[Rezension zu:] Mark Kopytman - Voices of Memories: Essays and Dialogues, ed. Yulia Kreinin, Israel Music Institute, Tel Aviv, 2004, 288 p. [PDF]

, 2009
Mark Kopytman - Voices of Memories: Essays and Dialogues, ed. Yulia Kreinin, Israel Music Institute, Tel Aviv, 2004, 288 p. A Doctor of Medicine who is also a composer is a rarity. A composer who is also a Doctor of Medicine is even rarer. Dr. Med.
Eppstein, Ury
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Aspects of pitch organization in György Ligeti's Piano etude no. 8, Fém

Trio, 2019
György Ligeti’s Piano Étude No. 8, Fém, is governed by two simultaneous and continuously repeated rhythmic patterns, one of which is for the right hand, the other for the left one.
Marcus Castrén
doaj  

Contemporary Ideas in African Art Music Composition: An Exploration of the Vocal and Instrumental Works of Seun Owoaje

African Musicology Online
African art music continues to evolve through the contributions of contemporary composers who build on the legacies of their progenitors. Despite its growth, there has been a gap in the literature regarding its contemporary appeal, especially with ...
Kadupe Sofola
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COLLABORATION AS A MODEL OF CREATIVITY IN BALINESE CONTEMPORARY MUSIC [PDF]

, 2009
COLLABORATION AS A MODEL OF CREATIVITY IN BALINESE CONTEMPORARY MUSIC Oleh: I Gede Arya Sugiartha Abstract In Bali, religion, art and culture are fused with daily life. There are no religious ceremonies without art and culture.
I GEDE , ARYA SUGIARTHA
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Leos Carax [PDF]

, 2003
The key ingredients and influences of Carax's four films (including _Les Amants du Pont Neuf_ and _Pola X_) are examined here: Paris, pop music, flanerie and amour fou, mannerist and neo-baroque aesthetics, the "Nouvelle Vague" and contemporary ...
Daly, Fergus, Dowd, Garin
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