Results 131 to 140 of about 325,897 (312)

’No Poetry, No Reality:’ Schlegel, Wittgenstein, Fiction and Reality [PDF]

, 2014
Friedrich Schlegel’s remarks about poetry and reality are notoriously baffling. They are often regarded as outlandish, or “poetically exaggerated” statements, since they are taken to suggest that there is no difference between poetry and reality or to ...
Gorodeisky, Keren
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A “Tech First” Approach to Foreign Policy? The Three Meanings of Tech Diplomacy

Global Policy, EarlyView.
ABSTRACT Scholars have recently argued that international politics is plagued by instability as the world rapidly transitions from one crisis to another. This state of “Permacrisis,” or permanent crises between states, is driven by technological innovations which create new kinds of crises and drive competitions between adversarial states.
Ilan Manor
wiley   +1 more source

The Issue of Pre‐Islamic Arabic Christian Poetry Revisited

Arabian Archaeology and Epigraphy, EarlyView.
ABSTRACT Is only very little Arabic Christian poetry extant from pre‐Islamic times? While distancing myself from Louis Cheikho's (1859–1927) view that almost all pre‐Islamic poets were Christians, I contend in this article that some of them indeed were.
Ilkka Lindstedt
wiley   +1 more source

The McKinleys of Punch: Politics and the Press in Melbourne, 1870s to 1920s

Australian Journal of Politics &History, EarlyView.
This article re‐examines the Melbourne Punch (1855–1925; known simply as Punch from 1900) as a political weapon in the cut‐and‐thrust of Victorian, local, and national politics, in the hands of its longest‐serving, but least‐known proprietor, Alexander McKinley (1848–1927).
Richard Scully
wiley   +1 more source

Norman and Nietzsche: The Political Project of Lindsay's The Magic Pudding

Australian Journal of Politics &History, EarlyView.
Australian artist and writer Norman Lindsay (1879–1969) wrote 11 novels and two children's books, one of which—The Magic Pudding first published in 1918—remains a national classic. This article argues that readers and critics have long misunderstood Lindsay's intention in writing this lengthy cartoon‐story about the adventures of Bunyip Bluegum in ...
John Uhr
wiley   +1 more source

BRAZILIAN CONTEMPORARY POETRY: AN OVERVIEW

Revista Brasileira de Literatura Comparada
Although it may seem an impossible task to offer a panorama of contemporary Brazilian poetry, we will discuss a selection of poets who possibly epitomize the most significant current trends.
Viviana Bosi
doaj  

Confluences of art and research: Reflections on curating an art exhibition as interdisciplinary method

Area, EarlyView.
Short Abstract The exhibition ‘Confluences: Water and People’ drew together creative, participatory, community‐focused research by partners in Colombia, Ethiopia, India, Malaysia, and the UK, as well as artists whose work connects with the River Tyne, its tributaries, people, and landscapes.
Helen Underhill, Cat Button
wiley   +1 more source

From the Silence to the Words: The New Mystic Poetry in the Second Half of the Twentieth Century

Castilla: Estudios de Literatura, 2014
A study about the trajectory of Mystic poetry, from its triple tradition (Arabic, Jewish and Christian), is proposed in this article. Its motives and sources, as well as evolution in contemporary poetry, are established, resulting in a new idea of poetry
Luis Martínez-Falero
doaj  

Back to the land…again: Ownership matters! 2025 CAES fellows lecture

Canadian Journal of Agricultural Economics/Revue canadienne d'agroeconomie, EarlyView.
Abstract I review historic and contemporary circumstances and issues linked with the ownership of land. I emphasize the importance of land ownership in influencing economic relations which are important to our understanding of the economy itself, the formation of the economy, winners, and losers.
B. James Deaton
wiley   +1 more source

Where You End and I Begin : Notes on Subjectivity and Ethics in the Translation of Poetry

, 2017
What can translation teach us about poetry and poetics? To what extent is a lyric constellation portable, and to what extent is it embedded in a particular culture or language? How much of a foreign syntax can be replicated before things break down? What
LINGENFELTER, Andrea
core