Results 11 to 20 of about 543 (182)

Habitus Formation Through Contemporary Worship Music in Two Church Cases: Implications for Intergenerational Worship

open access: yesReligions
This article draws upon doctoral case study data from two Protestant Christian churches to examine how contemporary worship music-making practices can reinforce and solidify the musical tastes, dispositions, and tendencies of particular demographics. Drawing upon sociologist Pierre Bourdieu’s concept of the habitus, this article examines the religious ...
Laura Benjamins
exaly   +4 more sources

Venezuelan Evangelical Digital Diaspora, Pandemics, and the Connective Power of Contemporary Worship Music [PDF]

open access: yesReligions, 2022
During 2020–2021, the COVID-19 pandemics exacerbated the use of digital communication tools for the general population as well as for migrant and diasporic communities. Due to social distancing requirements, church activities had to be suspended or restricted, therefore, local congregations and denominations had to incorporate social media as part of ...
Fernando Mora
exaly   +4 more sources

Musicking as Liturgical Speech Acts: An Examination of Contemporary Worship Music Practices [PDF]

open access: yesStudia Liturgica, 2021
This article examines the genre of Contemporary Worship Music (CWM) within worship contexts in terms of its formative and purposeful nature. In CWM settings, the worship leader plays a particular role in the selection and facilitation of CWM repertoire to be led by praise bands.
Laura Benjamins
exaly   +2 more sources

Fun, Trendy, Upbeat: Musical Tastes, Social Conditioning, and Contemporary Worship Music for Kids

open access: yesReligions
This article examines the correlation between “trendy” musical features and contemporary worship songs for kids. We engage in music video analysis, comparing three songs from a range of contemporary worship children’s ministries to critically examine the messages that their children’s covers convey.
Laura Benjamins, Anneli Loepp Thiessen
openaire   +3 more sources

“Blessed Is the One Whose Bowels Can Move: An Essay in Praise of Lament” in Contemporary Worship

open access: yesReligions, 2022
The CCLI charts may not reflect it, yet one thing many Christian churches discovered as the pandemic raged across the world (and violence at home and abroad) was the need for songs of sacred lament.
Casey T. Sigmon
doaj   +1 more source

“This Is No Performance”: Exploring the Complicated Relationship between the Church and Contemporary Congregational Songs

open access: yesReligions, 2023
“Performing” and “performance” are potentially contentious words within the context of contemporary Christian worship. However, performative elements are explicit in the lyrics of contemporary congregational songs (CCS), and in video recordings of CCS ...
Daniel Thornton
doaj   +1 more source

White Pop, Shiny Armour and a Sling and Stone: Indigenous Expressions of Contemporary Congregational Song Exploring Christian-Māori Identity

open access: yesReligions, 2021
It has taken many years for different styles of music to be utilised within Pentecostal churches as acceptable forms of worship. These shifts in musical sensibilities, which draw upon elements of pop, rock and hip hop, have allowed for a contemporisation
Shannon Said
doaj   +1 more source

Acceptance of contemporary songs in the Methodist Church in Zimbabwe liturgy: Ruwa section, Goromonzi

open access: yesAfrican Musicology Online, 2023
The study examined the use of songs from outside the worship liturgy of the Methodist Church in Zimbabwe (MCZ) in the Ruwa Section, Goromonzi Circuit. The circuit had six congregations with mixed views on the above-referred songs. A debate on the choice
Richard Muranda, Egnes Banda
doaj   +1 more source

Publishing Privileges the Published: An Analysis of Gender, Class, and Race in the Hymnological Feedback Loop

open access: yesReligions, 2023
Hymnal curation processes have for centuries maintained restrictive feedback loops: material that has been published elsewhere continues to be published, and new material—particularly when it offers something unique—is evaluated against the criteria of ...
Katie Graber, Anneli Loepp Thiessen
doaj   +1 more source

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