Results 1 to 10 of about 159 (105)
Christian music in contemporary Africa: a re-examination of its essentials
Koers : Bulletin for Christian Scholarship, 2007 Christian music all over Africa (be it liturgical church music or gospel), in contemporary times has become so popular and well grown howbeit in divergent dimensions.
F. Adedeji
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Christian Memory in Contemporary Music Creation: Tensions and Transitions
Acta Universitatis Carolinae TheologicaAfter a period in which secularisation as an explanatory model – linear and teleological – became hegemonic in the social sciences, it became necessary to find other ways of accessing the sites of religious reconfiguration in the context of multiple ...
Alfredo Teixeira
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Metaphors and Meaning in the Turkish Contemporary Christian Music
Musicologist, 2018 The aim of this article is to investigate the musical experience, musical meaning, and metaphors in religious music in the case of Turkish Contemporary Christian Music (TCCM). In the general sense, we can say that Contemporary Christian Music simultaneously carries symbolic, functional, and pragmatic meaning.
Uğur Aslan
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Lament as a Genre in Contemporary Christian Music: A Grassroots Theology in the Hong Kong Protests
Studies in World ChristianityLament has not been a popular genre in contemporary Christian music (CCM), whether in the West or in Hong Kong. However, in the late 2010s Hong Kong saw an increasing number of compositions related to this genre, especially during the protests surrounding the anti-extradition law between June 2019 and early 2020.
Calida Chu
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Encyclopedia of Contemporary Christian Music: Pop, Rock, and Worship
Theological Librarianship, 2010 Joy Schroeder
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Studia Universitatis Babeş-Bolyai. Musica, 2022 In systematic musicology as a branch of music psychology we found an intriguing orientation called cognitive neuroscience of music, or neuromusicology.
Csilla CSÁKÁNY
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“Blessed Is the One Whose Bowels Can Move: An Essay in Praise of Lament” in Contemporary Worship
Religions, 2022 The CCLI charts may not reflect it, yet one thing many Christian churches discovered as the pandemic raged across the world (and violence at home and abroad) was the need for songs of sacred lament.
Casey T. Sigmon
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Journal for Religion, Film and Media, 2020 By applying different (competing) understandings of the term “popular”, this article showcases the criteria by which Popular Christian Music (labelled Contemporary Christian Music by the US music industry) can be described as “popular”.
Kopanski, Reinhard
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Music education in Russia: from 20th century to the present day [PDF]
Studia z Teorii Wychowania, 2021 In the article on music education in RussiaIn, the main stages of the development of the Russian native musical culture after the 1917 revolution, during the Soviet Union (1924-1990) to modernity were explained and described.Stage I – Music education ...
Anna Vorozhko
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Christian rock concerts as a meeting between religion and popular culture
Scripta Instituti Donneriani Aboensis, 2003 Different forms of artistic expression play a vital role in religious practices of the most diverse traditions. One very important such expression is music. This paper deals with a contemporary form of religious music, Christian rock.
Andreas Häger
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