Results 11 to 20 of about 4,970,699 (175)
Christian music in contemporary Africa: a re-examination of its essentials
Christian music all over Africa (be it liturgical church music or gospel), in contemporary times has become so popular and well grown howbeit in divergent dimensions.
F. Adedeji
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It has taken many years for different styles of music to be utilised within Pentecostal churches as acceptable forms of worship. These shifts in musical sensibilities, which draw upon elements of pop, rock and hip hop, have allowed for a contemporisation
Shannon Said
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Christian Memory in Contemporary Music Creation: Tensions and Transitions
After a period in which secularisation as an explanatory model – linear and teleological – became hegemonic in the social sciences, it became necessary to find other ways of accessing the sites of religious reconfiguration in the context of multiple ...
Alfredo Teixeira
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For solo cello, duration approx. 7 minutes. This work is dedicated to Rohan de Saram, who premiered it on 28 April 2016 at the Italian Cultural Institute, London.
Scarlato, D.
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Encyclopedia of Contemporary Christian Music: Pop, Rock, and Worship
Joy Schroeder
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In systematic musicology as a branch of music psychology we found an intriguing orientation called cognitive neuroscience of music, or neuromusicology.
Csilla CSÁKÁNY
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“Blessed Is the One Whose Bowels Can Move: An Essay in Praise of Lament” in Contemporary Worship
The CCLI charts may not reflect it, yet one thing many Christian churches discovered as the pandemic raged across the world (and violence at home and abroad) was the need for songs of sacred lament.
Casey T. Sigmon
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Curating Contemporary Music Festivals [PDF]
Contemporary music, like other arts, is dealing with the rise of »curators« laying claim to everything from festivals to playlists - but what are they and what do they do anyway?
Farnsworth, Brandon, Brandon Farnsworth
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By applying different (competing) understandings of the term “popular”, this article showcases the criteria by which Popular Christian Music (labelled Contemporary Christian Music by the US music industry) can be described as “popular”.
Kopanski, Reinhard
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Translation as a form of music localization does not only occur in diverse cultural or lingual contexts, it also occurs within an ostensibly homogenous culture and language.
Daniel Thornton
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