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“Looking Out”: The 2018 Association for Art History’s Annual Conference
Alphaville: Journal of Film and Screen Media, 2018 With forty sessions, more than three hundred papers and three “blockbuster” keynotes, the Annual Conference for Art History and Visual Culture co-hosted by the Courtauld Institute of Art and King’s College, London on 5–7 April 2018 was the biggest the ...
Gillian McIver
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Positivism, Impressionism and Magic: modifying the modern canon in America and France from the 1940s [PDF]
Journal of Art Historiography, 2017 This article narrates for the first time the competing views over Impressionism in America and France in the 1940s and 1950s, between modernist art history led by Clement Greenberg, on the one hand, and Surrealism led by André Breton, on the other.
Gavin Parkinson
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British Art Studies, 2021 What does it mean to correlate art and art history with “nation”? At the time of publication, the full impact and effects of the United Kingdom’s withdrawal from the European Union are just beginning to manifest. In this feature, we are interested in the
Jenny Gaschke +11 more
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Signs of a Struggle: Process, Technique, and Materials in the Early Work of Mark Gertler, 1911–18
British Art Studies, 2020 This paper describes a collaborative technical and art-historical study by a conservation scientist and an art historian of paintings by Mark Gertler (1891–1939) produced between 1911 and 1918, sparked by the discovery through X-radiography of a painted ...
Aviva Burnstock , Sarah MacDougall
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Encyclopedia, 2022 T’amar Bagrationi, Queen of Georgia (1184–1210). T’amar Bagrationi was the ninth monarch from the royal house of Bagrationis who ruled over the united Georgian Kingdom.
Irakli Tezelashvili
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Heritage Science, 2023 The deterioration of cadmium yellow paints in artworks by Joan Miró (1893–1983) and in painting materials from his studios in Mallorca (Spain) was investigated.
Mar Gomez Lobon +10 more
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International Journal of Art and Art HistoryThe Courtauld Institute of Art was founded in 1932 by Samuel Courtauld, to continue supporting the Impressionism and Post-Impressionism championed by his wife Elizabeth before her passing.
Robmarie López
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The Englishness of English Sedilia
British Art Studies, 2017 Sedilia are the ceremonial seats of the priest, deacon, and subdeacon placed to the south of the altar. In Gothic church architecture, they typically take the form of three deep niches, recessed into the thickness of the wall, surmounted by arches and ...
James Alexander Cameron
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Countenances of the deepest attentiveness: the historical reputation of Jan van Scorel’s portraits [PDF]
Journal of Art Historiography, 2017 This study examines portraits produced by the Netherlandish artist Jan van Scorel (1495-1562) and the pictorial, aesthetic and cultural sources from which they both emerged and departed.
Albert Godycki
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Philosophy as a vanitas: Lyotard’s exploded Sublime
Itinera, 2021 French philosopher Jean-François Lyotard’s changing concepts of the sublime (after Immanuel Kant) are traced here. Overriding normative responses to Lyotard’s Artforum texts on the sublime of the later 1980s, I argue for a fulcrum moment shared with ...
Sarah Wilson
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