Results 41 to 50 of about 10,392 (220)
Contextualizing the Cappella Cesi: Sangallo, Façades, and Renaissance Collaboration
Renaissance Studies, EarlyView.Abstract This article reframes Antonio da Sangallo the Younger's oft‐overlooked cappella Cesi nave façade in Santa Maria della Pace not as an isolated design deviation but as part of a broader architectural and artistic conversation among major players in early sixteenth‐century Rome.
Alexis Culotta
wiley +1 more source
What Does Intarsia Say? Materiality and Spirituality in the Urbino Studiolo☆
Renaissance Studies, EarlyView.Abstract Upon entering the Urbino studiolo of Federico da Montefeltro, the visitor is struck by a material‐charged environment. Surprisingly, only a few scholars have addressed one prominent aspect of the decorative scheme, namely, the feature of intarsia as a medium. Even so, it remains on the sidelines of the discussion.
Matan Aviel
wiley +1 more source
Understanding Material vs. Immaterial in Conceptual and Digital Art
Tahiti, 2021 In the history of twentieth-century art, we can identify two key moments when the notion of the immaterial became a focus of attention. The first, spanning the period from the mid-1960s to the mid-1970s, was the dematerialization of the art object in the
Rahma Khazam
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A moment in time: from the digital record of a migrating library [PDF]
, 2005 This paper draws on the work of the Arts & Humanities Research Council-funded Glasgow Cassirer Project, which makes correspondence and documents relating to the German philosopher Ernst Cassirer (1874-1945) available online. The paper concentrates on
Whitaker, G.
core
Using digital and hand printing techniques to compensate for loss: re-establishing colour and texture in historic textiles [PDF]
, 2008 Conservators use a range of 'gap filling' techniques to improve the structural stability and presentation of objects. Textile conservators often use fabric supports to provide reinforcement for weak areas of a textile and to provide a visual infill in ...
Ahmon J. +21 more
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Obesity and the Politics of Taddeo di Bartolo's Inferno
Renaissance Studies, EarlyView.ABSTRACT This paper examines Taddeo di Bartolo's depiction of Hell in the Collegiata di Santa Maria Assunta, the mother church of San Gimignano. In a striking departure from similar scenes of the period, the fresco, painted in the early fifteenth century, emphasizes the obesity of the sinners—suggesting a deliberate visual critique.
Stefania Roccas Gandal
wiley +1 more source
Heritage Science, 2023 This work proposes the virtual restoration of the Bodhidharma polychrome sculpture from the Lingyan Temple in China. Based on scientific analyses and simulation experiments, exterior colours and textures were virtually restored by combining 3D scanning ...
Yongdong Tong +3 more
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Black in Impressionism and Post‐Impressionism: Art, Color Vision, and Psychophysics
Color Research &Application, Volume 51, Issue 3, May/June 2026.Black has engendered controversy in 19th Century color theory and in Impressionist and Post‐Impresssionist painting. The neural mechanisms of blackness perception are being revealed through contemporary psychophysics. ABSTRACT From Paleolithic cave art to modern abstraction, artists have used black not merely as a neutral tone, but as a powerful ...
John S. Werner
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Review of ‘Annie Swynnerton: Painting Light and Hope’, Manchester Art Gallery
19, 2019 Emma Merkling reviews ‘Painting Light and Hope’ at Manchester Art Gallery, the first retrospective of artist Annie Swynnerton (1844–1933) in nearly a century.
Emma Merkling
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Sensors, 2020 This paper presents results from the examination of a set of experimental samples using fibre optic reflectance spectroscopy (FORS) and diffuse reflectance imaging spectroscopy in the short-wave infrared (SWIR) range, combined with statistical analysis ...
Silvia Rita Amato +2 more
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