Results 51 to 60 of about 1,441,003 (237)

Revisioning the Pacific: Bernard Smith in the South Seas [PDF]

open access: yes, 2005
BORN IN Sydney in 1986, Bernard Smith is today widely considered to be Australia's preeminent art historian and a major cultural theorist.¹ While working as a school teacher and artist during the late 1930S and early 1940s, he came under the influences ...
Ryan, Tom
core   +1 more source

The Fashioning of the Humanist Governor at the Dawn of a New Political and Cultural Era: Francesco Barbaro as Podestà of Venetian Vicenza

open access: yesRenaissance Studies, Volume 39, Issue 4, Page 473-492, September 2025.
Abstract The patrician Francesco Barbaro (1390–1454) is well known for having been both a first‐class humanist and a figurehead of the Venetian government in the new territories of the Stato da Terra. This article explores the pioneering use of humanist culture in the official praises he received during his political career, which helped shape a ...
Clémence Revest
wiley   +1 more source

Re-visioning St. Sebastian: Nicoletto da Modena’s Reworked Engravings of St. Sebastian

open access: yesVenezia Arti, 2019
In around 1522, the date on his engraving of St. Roch, Nicoletto da Modena reworked a print of St. Sebastian of shared dimensions to create a pendant. In the second state, St.
Bartlett-Rawlings, Bryony
doaj   +1 more source

Les ivoires gothiques : foisonnement et renouveau des études

open access: yesPerspective, 2017
Since the 1970s, the study of Gothic ivories has undergone a genuine revival that has further flourished in recent years, thanks in particular to the Courtauld Institute of Art online database containing more than five thousand pieces.
Michele Tomasi
doaj   +1 more source

Multianalytical Assessment of Armour Paints—The Ageing Characteristics of Historic Drying Oil Varnish Paints for Protection of Steel and Iron Surfaces in Sweden

open access: yesHeritage, 2021
The characteristics of armour paints, historically used to protect ferrous industrial heritage, are explored. Amour paints contain lamellar and highly reflexive pigments of micaceous iron oxide (MIO) and metallic, leafing aluminium, bound in linseed oil ...
Arja Källbom   +2 more
doaj   +1 more source

Changing Light: a plethora of digital tools as slides gasp their last? [PDF]

open access: yes, 2010
The title 'Changing Light' reflects the enormous changeover from analogue slides to digital images, both a cultural shift and a physical shift down to the change in light from the smoky beams of dual slide projectors piercing the dark of a classroom, to ...
Gramstadt, Marie-Therese
core   +1 more source

Sharing a Taste? Material Culture and Intellectual Curiosity around the Mediterranean, from the Eleventh to the Sixteenth Century [PDF]

open access: yes, 2013
Within the context of a research project that seeks to explore new concepts and, possibly, arrive at more productive paradigms, it is interesting to observe the degree to which the study of the transfer of artefacts between the Islamic Middle East and ...
Contadini, Anna
core   +1 more source

Technical Study of the Paint Layers from Buddhist Sculptures Unearthed from the Longxing Temple Site in Qingzhou, China

open access: yesHeritage, 2021
In 1996, more than four hundred Buddhist statues were excavated from the Hoard of Longxing Temple site in Qingzhou, Shandong Province, China. They are of great significance in the study of Buddhism history during the Northern and Southern Dynasties of ...
Yan Song   +6 more
doaj   +1 more source

Eleanor Coade and Horace Walpole's Gothic Gateway: A Study in Eighteenth‐Century Business Practice

open access: yesJournal for Eighteenth-Century Studies, Volume 48, Issue 2, Page 149-176, June 2025.
Abstract Artificial stone manufacturer Eleanor Coade (1733–1821) was the outstanding female entrepreneur of the eighteenth century, running her own successful business for some fifty years. Her name became a nationally recognized brand, and her firm's architectural and sculptural stoneware products are still ubiquitous.
Caroline Stanford
wiley   +1 more source

Bold Impressions: block printing 1910-1950 [PDF]

open access: yes, 1995
An edited extract from the illustrated brochure produced to accompany a touring exhibition curated by Mary Schoeser for Central Saint Martins College of Art & Design, shown in the Lethaby Gallery, Southampton Row, from October 3rd to 31st, 1995, and at ...
Schoeser, Mary
core  

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