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Courtly Love and Courtliness

Speculum, 1953
COURTLY LOVE is a species of that movement inherent in the soul of man towards a desired object. It is this object, the final object, which specifies love and differentiates its manifestations one from the other. When the object of love is the pleasure of sense, then love is sensual and carnal; directed towards the spiritual, it is mystic, towards a ...
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The Art of Courtly Love

Modern Language Quarterly, 1942
Olin H. Moore   +2 more
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Courtly Love

2003
Abstract The court to which Margaret Blagge had been called consisted of two royal households subsisting side by side, the one headed by the King and the other by his brother. James. Duke of York. At the time of his Restoration Charles II was 30 but still single, his marriage having been delayed by his years of penurious exile.
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Psychoanalysis and Courtly Love

Arthuriana, 1995
Abstract: Jacques Lacan argued that courtly love worked against the repressive effect of language on jouissance , thereby circumventing a structural non-rapport between the sexes and proving that an ethics of desire can govern social practice if the admission of lack governs the debates and rituals in play.
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The Art of Courtly Love

The American Historical Review, 1943
Editor's IntroductionAuthor's PrefaceBook One: Introduction to the Treatise on LoveI. What Love IsII. Between What Persons Love May ExistIII. Where Love Gets Its NameIV. What the Effect of Love IsV. What Persons Are Fit for LoveVI. In What Manner Love May Be Acquired and in How Many WaysVII. The Love of the ClergyVIII. The Love of NunsIX. Love Got With
W. A. Neilson   +2 more
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Courtly Love and the Comedia

2014
This chapter discusses the broad array of theatrical activity in early modern Spain. The mainstays of the professional theater industry's popular success were the modes of secular comedy and tragicomedy developed during the 16th century and popularized by Lope de Vega.
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The Meaning of Courtly Love

The Journal of American Folklore, 1960
T HE poetry of the troubadours and minnesingers has puzzled several generations of scholars. It has always been felt that there is something unreal and abnormal about the troubadour concept of love, overly sentimental, diffident, and submissive, and yet considered to be appropriate exclusively for noblemen and knights.
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The Reality of Courtly Love

2006
The spirited debates in English about the nature and influence of courtly love—or about what Boase called its meaning and origins1—which had run periodically from the late nineteenth century to the middle of the twentieth, seemed to end in inconclusive acrimony. The most recent series peaked in the 1960s and came to a sort of resolution with an opposed
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