Results 211 to 220 of about 155,339 (259)
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Creative Processes in Painting
The Journal of General Psychology, 1962(1962). Creative Processes in Painting. The Journal of General Psychology: Vol. 67, No. 2, pp. 251-263.
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Creativity in the Psychoanalytic Process
Journal of the American Academy of Psychoanalysis, 1998Beginning with Nietzsche's doctrine of "perspectivism," there has been an increasing realization in the sciences that the notion of an objective detached observer who reaches truth as he or she studies the subject is incorrect. There is general agreement that the subject-object dichotomy in 19th-century science that lies behind traditional sciences and
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Creative product and creative process in science and art
Inquiry, 1980The main aim of this essay is to propose and develop a product‐oriented, non‐psychologistic, approach to scientific and artistic creativity. I first argue that the central problem is that of answering the question: how is creativity possible? Traditional approaches to this question tend to locate creativity primarily in some special psychological ...
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Chaos and control in the creative process
Journal of the American Academy of Psychoanalysis, 1985This has been an attempt to understand the alternation of chaos and control in the creative process. As a painting acquires a life of its own, the artist loses control over it but then and only then can he or she establish an enriching dialogue with it. When losing control leads to too much anxiety, the artist will attempt to gain control over the work
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Beethoven and the Creative Process
1990Abstract Beethoven's habit of composing by making large numbers of preliminary drafts and sketches was sufficiently unusual to attract attention even during his lifetime, and his creative process has attracted a good deal more attention since.
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2007
A striking amount of material survives to document the creation of what became known as Oklahoma!—including Hammerstein’s sketches and drafts for the libretto (first completed in November 1942), his subsequent work on the lyrics for the songs, and Rodgers’s music manuscripts.
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A striking amount of material survives to document the creation of what became known as Oklahoma!—including Hammerstein’s sketches and drafts for the libretto (first completed in November 1942), his subsequent work on the lyrics for the songs, and Rodgers’s music manuscripts.
openaire +1 more source