Results 231 to 240 of about 3,413,512 (272)

Critical Distance: Reply to Newman and Holzman

Theory & Psychology, 2000
Fred Newman and Lois Holzman's (2000) comment on my `Against PostModernism: Psychology in Cultural Context' (Parker, 1998) neatly displays the very dialectical processes they want to deny. Their refusal of `critical distance' exemplifies postModern avoidance of a political assessment of theories and practices (academic or otherwise), and their ...
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Critical approach distances and critical angles for channelling

Radiation Effects, 1971
Abstract The critical angles and critical approach distances, which determine the limits for the channelling of energetic ions, down open crystal directions are established by the methods of computer simulation and compared with simple analytical models. For non-vibrating rows or planes a good agreement between the two is obtained.
D. Vernon Morgan, Dirck Van Vliet
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Estimation of critical dislocation distances

The European Physical Journal Special Topics, 2007
This paper describes in detail quantitative studies of the spiral mode of crystal growth, particularly focussing on the critical dislocation distance between two spirals rotating in opposite direction using the model derived in (Cont. Mech. Thermodynamics 17, 373 (2006)) from the classical BCF model presented in (Philos. Trans. R. Soc. London Ser.
G. Krishnamoorthy   +2 more
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Critical Reflections in Distance Education

2020
This chapter argues a case for critical reflection in distance education, especially in relation to teaching practices. By teaching practices the people mean that range of activities which is conventionally associated with terms such as curriculum, course development, examination, assessment, tutoring, course writing, pedagogy, andragogy and teaching ...
Terry Evans, Daryl Nation
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Critical Distance: Creative Writing as a Critic-Fan

2021
Writing reviews of other people’s work is a highly engaging, but often challenging, form of creative writing. The critic needs to be aware of a variety of styles and comfortable working with constraints, balancing their own voice with that of the artist whose work they are reviewing.
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