THE ANONYMOUS NARRATIVE: INTERPRETING HISTORY THROUGH VISUAL ANALYSIS [PDF]
Езиков святThe article presents a research-creative project, which examines the concept of “anonymous narratives” through the study of a woven raffia artifact held at the Théodore Monod Museum in Dakar, Senegal.
Savina TOPURSKA
doaj +1 more source
From Nails to Rails: A Report in the Practical Application of Theoretical Museology
ICOFOM Study Series, 2021 Theoretical museology is the study of museums, including explorations of their history, role in society, and the activities they engage in for the benefit of the communities that they serve which include curating, public programming, education and ...
V. Miller
semanticscholar +1 more source
Journal of Conservation and Museum Studies, 2017 In this critical assessment of the ‘museology of science’ I cherry-pick recent scholarship and practice to unpack the functions of science collections. Some practices (exhibition, engagement, study) have already attracted considerable attention, others ...
Samuel J M M Alberti
doaj +1 more source
Current museological strategies related to critical museology [PDF]
Este artículo evita la mera disquisición teórica sobre museología crítica, sugiriendo en lugar de ello algunas pistas para calibrar su influencia en la praxis museal.
Lorente, Jesús Pedro
core +2 more sources
La museología de la ruptura en las exposiciones de Fernando Estévez González
Midas: Museus e Estudos InterdisciplinaresIn response to a traditional museology that considered ethnological and anthropological museums as mere storage warehouses for objects from the colonial era, a new form of museology emerged, focusing more on people than objects, with a component of ...
Francisca Hernández Hernández
doaj +1 more source
Memórias de exposições: o projeto RaisExpo
Midas: Museus e Estudos Interdisciplinares, 2016 The history of exhibitions has recently become one of the most discussed and relevant themes in the fields of Art History and Museology. This new field is contributing to a critical review of art historiography and museological practices as well as ...
Joana Baião
doaj +1 more source
Break! On the unpleasant, the marginal, the taboo, and the controversial in Norwegian museums [PDF]
The Open Arts Journal, 2014 This paper explores the programme entitled Break, which was launched within a grouping of Norwegian museums in 2003. Break emerged in the context of a more critical approach to museum practice and their ways of dealing with controversial pasts in the ...
Liv Ramskjaer
doaj +1 more source
Once more, with feeling : an enquiry into The Museum of New Zealand Te Papa Tongarewa's exhibition Gallipoli: the scale of our war : a thesis presented in partial fulfilment of the requirements for the degree of Masters of Arts in Museum Studies at Massey University, Palmerston North, New Zealand. [PDF]
, 2016 This thesis examines The Museum of New Zealand Te Papa Tongarewa’s exhibition Gallipoli: The scale of our war. Conceived in partnership with Weta Workshop and formulated during a period of institutional uncertainty, Gallipoli was ostensibly created to ...
Haig, Nicholas Graham
core
From Unremembered to Overremembered. Gender in the Holocaust Museums of Hungary and Slovakia
Curator: The Museum Journal, EarlyView.ABSTRACT In museums, the history of the Holocaust is told through various means of exhibition construction, including architecture/space, texts, artifacts, photographs, and digital technologies. The article focuses on the gendered history of the Holocaust in museums as institutions in Central Europe after the illiberal turn and evaluates how (and if ...
Andrea Petö, Borbála Klacsmann
wiley +1 more source
Restauro Archeologico, 2023 The climate between the two world wars was a critical moment for the emergence of a debate on issues regarding the conservation of world heritage. In particular, all the innovative ideas that began to take shape in the early 20th century were amplified ...
Susanna Caccia Gherardini
doaj +1 more source