Results 51 to 60 of about 269 (149)

The Talking Rocks in the Children’s Gallery

Curator: The Museum Journal, Volume 68, Issue 4, Page 648-655, October 2025.
ABSTRACT This exhibition review explores Kingdom of Kindness: Abdul Abdullah, an immersive exhibition at HOTA's (Home of the Arts) Children's Gallery on the Gold Coast, Australia. Originating from a collaborative project with Surfers Paradise State School, the exhibition reflected the multicultural backgrounds of the students and Abdul Abdullah's ...
Fernanda Maziero Junqueira
wiley   +1 more source

Museum Critique in Contemporary Artistic Practices: Collecting, Captioning, Displaying, Exhibiting

Miranda: Revue Pluridisciplinaire du Monde Anglophone
This article presents a case study of the work of a contemporary artist, Ed Atkins, whose practice is based on the collection and arrangement of objects and the production of critical texts about them.
Adrian Fix
doaj   +1 more source

Weaving new links: the revitalization of an ethnographic collection by the Sharing Knowledge platform

Mundo Amazónico, 2018
Sharing Knowledge started as a pilot project of collaboration between the Ethnological Museum of Berlin and the National Experimental Indigenous University of Tauca (Uneit), Venezuela. The basic idea of such collaboration, inspired by critical museology,
Andrea Scholz
doaj   +1 more source

Decolonization and the politics of display: A case study from the National Museum of Qatar

Museum Anthropology, Volume 48, Issue 2, Fall 2025.
Abstract The exhibition “On the Move: Reframing Nomadic Pastoralism” was the flagship exhibition organized by the National Museum of Qatar for the World Cup 2022 period. The exhibition aimed to contextualize the nomadic past of Qatar within a broader, global cultural frame, as well as to create an ethnographic exhibition that would be appealing to a ...
Alexandra Bounia
wiley   +1 more source

Sotaiart: prácticas críticas en los intersticios de un museo

Arte, Individuo y Sociedad, 2007
This article makes a relationship of the critical practices in museum with interstices though the example of a educational workshop called "sotai art" at the Fundació Pilar y Joan Miró at Palma de Mallorca.
Javier Rodrigo Montero
doaj  

Radical Laughter: To be Seen, to be Heard Exhibit at the Museum of Anthropology

Museum Anthropology, Volume 48, Issue 2, Fall 2025.
ABSTRACT This article is a review of the To Be Seen, To Be Heard: First Nations in Public Spaces, 1900–1965 Exhibition at the Museum of Anthropology, situated on xʷməθkʷəy̓əm—Musqueam traditional land at the University of British Columbia in Vancouver, BC. Co‐curated by Maria Crosby and Karen Duffek.
Raven Begell‐Long
wiley   +1 more source

The Right to the Museum: From the White Cube to the Critical Museum

Sociologica
As the museum ecosystem undergoes a process of de- and re-articulation — politically and aesthetically affecting cultural and artistic institutions — museums are increasingly becoming hybrid and transdisciplinary entities.
Sara Pastore
doaj   +1 more source

‘A material influence imperceptibly exercised on the taste and judgement of the public’: The Burlington Fine Arts Club and the history of collecting [PDF]

Journal of Art Historiography, 2019
Founded in 1866 by the South Kensington curator John Charles Robinson, the Burlington Fine Arts Club played a critical role in the landscape of collecting and display over its near century long history.
Eloise Donnelly
doaj  

School museum as a mean of implementing the innovation project “Basic schools of the Russian Academy of Sciences”

Вестник Тамбовского университета. Серия: Гуманитарные науки, 2020
We consider the experience of using museum pedagogy to implement the innovation project “Basic schools of the Russian Academy of Sciences”. The main goal of the project is to identify and attract talented young people to the scientific sphere. The school
G. S. Makhrachev
doaj   +1 more source

The hybrid exhibits of the story museum: The child as creative artist and the limits to hands-on participation

Museum & Society, 2019
Since the Brooklyn Children’s Museum opened in 1899, the concept of the children’s museum has evolved internationally as a non-profit public institution focused on informal family-centred education and interactive play environments (Acosta 2000; Allen ...
Naomi Hamer
doaj   +1 more source