Results 11 to 20 of about 150,645 (307)

Ice Bear: The Cultural History of an Arctic Icon by Michael Engelhard [PDF]

, 2017
Review of Michael Engelhard\u27s Ice Bear: The Cultural History of an Arctic ...
Pigeon, Geneviève
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Digital scenography and the mimetic aporia of Richard Wagner's Ring Cycle

Journal of Aesthetics & Culture, 2015
This article explores the visual friction between the concealment of technology and the need to stage mimetic scenes in Richard Wagner's Der Ring des Nibelungen. The article relies on the critical reception of the Wagnerian Gesamtkunstwerk in musicology,
Jason R. D’Aoust
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Come salvaguardare i valori pubblici in un mondo interconnesso? Le sfide per l’Europa. Translated by Eleonora Benecchi

Studies in Communication Sciences, 2020
Over the past three years, we have witnessed how online digital platforms have deeply penetrated every sector in society, disrupting markets, labor relations and institutions.
José van Dijck
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Praying with the senses: Examples of icon devotion and the sensory experience in medieval and early modern Balkans [PDF]

Zograf, 2015
This paper discusses sensory experience in the practice of devotion of two highly venerated icons in medieval and Early Modern Balkans: the mosaic icon of the Virgin Hodegetria from the monastery of Chilandar and the icon of Gospa of Škrpjela ...
Brajović Saša, Erdeljan Jelena
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Of Rainbow Unicorns. The Role of Bonding Queer Icons in Contemporary LGBTIQ+ Re-Positionings

Ocula, 2020
Over the years, queer icons have in the main displayed a dual yet conflicting function: that of cautiously dissimulating reality, while blatantly representing it.
Giuseppe Balirano
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Fra fiction e realtà. L'uniforme di The Handmaid's Tale come icona culturale

Ocula, 2020
In the current media scene, the TV series are a flagship product. They tell exciting stories, following a cinematic logic (Mittell 2015) and attract an ever wider audience.
Antonella Mascio
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Hillbilly: A Cultural History of an American Icon [PDF]

, 2005
In this pioneering work of cultural history, historian Anthony Harkins argues that the hillbilly-in his various guises of briar hopper, brush ape, ridge runner, and white trash -has been viewed by mainstream Americans simultaneously as a violent ...
Harkins, Anthony
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Deep England

Akademisk Kvarter, 2015
Deep England as an icon arose during the Second World War as a unifying concept of everything English. This icon has, however, long historical roots, and its significance is not only patriotic, but it is also a reaction to modernity.
Jørgen Riber Christensen
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Icon-Pendant with an Image of the Saint Warrior-Horseman from the Excavation of the Mangup’s Palace. Old Rus’ or Byzantium?

Вестник Волгоградского государственного университета. Серия 4. История, регионоведение, международные отношения, 2021
Introduction. The article is devoted to the icon-pendant with the image of the horseman St. George the Warrior, discovered in 2020 in the cultural horizon of the late 13th–14th centuries at the research site of the Mangup’s Princely Palace ...
Valery Naumenko
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Modernity and Tradition in Shakespeare’s Asianization [PDF]

, 2013
Do Marjorie Garber’s premises that Shakespeare makes modern culture and that modern culture makes Shakespeare apply to his reception in Asian contexts? Shakespeare’s Asianization, namely adaptation of certain Shakespeare elements into traditional forms ...
Yang Lingui
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