Results 1 to 10 of about 254 (105)
The Preliminary study deals with the history of the Czech music semiology. This type of aesthetics theory was developed in Czechoslovakia from the end of the 50s.
Lubomír Spurny
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The Impact of the Home Recording Phenomenon on the Czech Independent Music Scene
The paper explores the phenomenon of home recording and the impact of democratization of recording technologies in the Czech independent music scene.
Daniel Šubrt
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On the Project of Czech Music Dictionary of Persons and Institutions [PDF]
The study recapitulates the results of activities of the Centre for Music Lexicography under the patronage of Institute of Musicology, Faculty of Arts, Masaryk University, and especially its key project, the Czech Music Dictionary of Persons and ...
Petr Macek
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František Sedlák’s Legacy to Czech and Slovak Music Pedagogy and Music Psychology [PDF]
The study analyses the role of František Sedlák (1916–2002) in the process of forming didactics of music education and music psychology as independent disciplines and teaching subjects at pedagogical faculties in former Czechoslovakia. It traces the significant moments in his life that formed the basis of Sedlák’s theoretical insight and valuable ...
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Domestic and Foreign Contexts of Czech Music Education [PDF]
This study focuses on significant historical events in the context of music education at public schools from the 1930s to the present. It characterizes music education since the founding of the Society for Music Education in the Czechoslovak Republic in 1934, clarifies the circumstances of establishing the International Society for Music Education ...
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Contribution of Czech Musicians to the Serbian Music in the 19th Century
The main goal of this paper, devoted to the contribution of Czech Musicians to the Serbian Music in the 19th Century is to point out the facts which will contribute to the better understanding of the migration as an important cultural phenomenon ...
Katarina Tomašević
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Drawing on a monograph in progress, the first part of this study gives a brief biographical overview, outlines the state of research and describes the work of the Czech composer Ernst Förchtgott/Arnošt Bohaboj-Tovačovský (1825-1874).
Viktor Velek
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′Czech-Slovene′ musicians?: On the question of national identity in Slovene music at the turn of the 19th to the 20th century [PDF]
In this article, the author observes and discusses the questions of national identity in the context of Czech and Slovenian music at the turn of the 19th to the 20th century.
Vajs Jernej
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The topic of institutionalisation of musical life in the nineteenth century invites a new perspective on the transformation processes in multinational Austria.
Tomáš Slavický
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Ve stopách Roberta Smetany aneb Třetí škola české hudební vědy
The credit for the foundation of a musicological institution at the restored university in Olomouc in 1946 goes to Vladimír Helfert's disciple, Robert Smetana (1904–1988). In 1951 he became associate professor and in 1965 professor and was at the head of
Jan Vičar
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