Results 11 to 20 of about 3,522 (165)
The Preliminary study deals with the history of the Czech music semiology. This type of aesthetics theory was developed in Czechoslovakia from the end of the 50s.
Lubomír Spurný
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The impact of the home recording phenomenon on the Czech independent music scene
The paper explores the phenomenon of home recording and the impact of democratization of recording technologies in the Czech independent music scene.
D. Šubrt, L. Kostka
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On the project of Czech Music Dictionary of Persons and Institutions [PDF]
The study recapitulates the results of activities of the Centre for Music Lexicography under the patronage of Institute of Musicology, Faculty of Arts, Masaryk University, and especially its key project, the Czech Music Dictionary of Persons and ...
Petr Macek
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Folk music in the Czech music classroom [PDF]
The authors from Czech Republic present the results of studies on folk music in Czech music classrooms, conducted at the Department of Music at Masaryk University from 2019 to 2021. Analysing data collected with online questionnaires they investigate the importance that teachers attribute to folk music and the role folk music plays in the music ...
Sedláček, Marek, Kučerová, Judita
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A History of Music in the Czech Lands
In a collection of essays from prominent music scholas both in the Czech Republic and abroad, this book provides a nuanced overview of major topics connected to the history of musical culture in the Czech lands (Bohemia, Moravia, and Silesia) from the Middle Ages to the present.
St. Pierre, Kelly +2 more
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Personality correlates of music preferences in the Czech Republic
unknown ...
Franek, Marek
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Drawing on a monograph in progress, the first part of this study gives a brief biographical overview, outlines the state of research and describes the work of the Czech composer Ernst Förchtgott/Arnošt Bohaboj-Tovačovský (1825-1874).
Viktor Velek
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′Czech-Slovene′ musicians?: On the question of national identity in Slovene music at the turn of the 19th to the 20th century [PDF]
In this article, the author observes and discusses the questions of national identity in the context of Czech and Slovenian music at the turn of the 19th to the 20th century.
Vajs Jernej
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The topic of institutionalisation of musical life in the nineteenth century invites a new perspective on the transformation processes in multinational Austria.
Tomáš Slavický
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‘As unknown to me as a Bohemian village’: a retrospective of Czech Baroque music in recordings
In 1843 the German travel writer, Johann Kohl, commented on the curious fact that although several German states border Bohemia, a large degree of mystery and misunderstanding lay between them; in doing so he cited a common German expression: ‘Dieß ist ...
Rawson, R.
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