Results 61 to 70 of about 1,807 (174)

Mezi géniem a světcem: dekonstrukce Nejedlého koncepce velkého českého skladatele

open access: yesMusicologica Brunensia, 2015
Based on a previous metahistorical analysis of Zdeněk Nejedlý's conception of the history of modern Czech music, as it is revealed in his main texts from the period 1901–1921, the paper presents results of a deconstruction of Nejedlý's conception of the ...
Miloš Zapletal
doaj   +1 more source

Mission‐Aligned Learning‐Informed Control of Autonomous Systems: Formulation and Foundations

open access: yesExpert Systems, Volume 43, Issue 11, November 2026.
ABSTRACT Research, innovation and practical capital investment have been increasing rapidly toward the realization of autonomous physical agents. This includes industrial and service robots, unmanned aerial vehicles, embedded control devices, and a number of other realizations of cybernetic/mechatronic implementations of intelligent autonomous devices.
Vyacheslav Kungurtsev   +7 more
wiley   +1 more source

Barriers and Ways of Creativity Development in Music Education

open access: yesCommunications, 2007
Significance of creativity and its pedagogical and psychological attributes, difference in its interpretation, situation in the world. An outline of authors and their works in Slovakia or in the Czech Republic, barriers of creativity, competence ...
Peter Krbata
doaj   +1 more source

Music, 'race' and diaspora: Romani music making in Ostrava, Czech Republic. [PDF]

open access: yes, 2005
This thesis is a contribution towards an historically informed understanding of contemporary music making amongst Roma in Ostrava, Czech Republic. It also challenges, from a theoretical perspective, conceptions of relationships between music and discourses of 'race'.
openaire   +1 more source

Post-Conciliar Liturgical Reform in the Czech Lands and Music of the Liturgy

open access: yesActa Universitatis Carolinae Theologica, 2019
The article describes the introduction of the liturgical reform in the Czech Republic and the associated musical creation that would correspond to the renewed liturgy.
Pavel Kopeček
doaj   +1 more source

Qualitative content analysis of “Hello Songs” composed for children by music therapists in the Czech Republic and USA

open access: yesSocial Welfare: Interdisciplinary Approach, 2016
“Hello Songs” is a ritual musical expression of the non-musical communication occurring at the beginning and the end of a music therapy session with a client.
Jiří Kantor, Lenka Kružíková
doaj   +1 more source

Trails of Czech music expert on Pirot cobblestone [PDF]

open access: yesPirotski zbornik, 2015
The study in front of you should throw a more clear light to semi-darkness in which was the history of culture at the end of the 19th and beginning of 20th century through searching for the legacy of Karlo Macejka who was an extraordinary intellectual of Czech origin spending almost a half of his working life in Pirot establishing the stage for choir ...
openaire   +1 more source

Hábovo společenské angažmá : příspěvek ke skladatelově podílu na organizaci pražského festivalu Společnosti pro soudobou hudbu (1935)

open access: yesMusicologica Brunensia, 2015
In the general perspective of music history, Alois Hába is usually characterised as one of the leading protagonists of the Central European inter-war avant-garde that moved between Vienna, Berlin and Prague.
Vlasta Reittererová
doaj   +1 more source

Otakar Šourek – nedoceněná postava českého hudebního života

open access: yesMusicologica Brunensia, 2015
The presented short study deals with Otakar Šourek, the author of the most extensive monograph on Antonín Dvořák to date. However he was the front connoisseur of the life and work of the composer, Šourek played even more significant role in the musical ...
Kateřina Nová
doaj   +1 more source

"Co zla již natropila tato domnělá ideovost!" : změna kritických postojů Vladimíra Helferta po přesídlení z Prahy do Brna

open access: yesMusicologica Brunensia, 2016
After 1911, tendencies appeared in the Czech music culture to eliminate Antonín Dvořák. They were initiated by Zdeněk Nejedlý. As Nejedlý was not able to support his opinions by musical analysis, he created his own hierarchy of values based on ...
Jindřiška Bártová
doaj   +1 more source

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