Results 11 to 20 of about 888 (120)
Czech Broadside Ballads as Text, Art, and Song in Popular Culture, ca. 1600–1900
, 2022 This landmark collection makes a major contribution to the burgeoning field of broadside ballad study by investigating the hitherto unexplored treasure-trove of over 100,000 Central/Eastern European broadside ballads of the Czech Republic, from the 16th ...
Patricia Fumerton +2 more
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Musicologica Slovaca, 2022 In the academic year 2021/2022, we commemorate the hundredth anniversary of the foundation of the Faculty of Arts of Comenius University in Bratislava, where the Seminar for Musicology was also established.
Marta Hůlková
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Slovenská ľudová pieseň v pohľade hudobného historika Dobroslava Orla
Musicologica Slovaca, 2022 Czech musicologist Dobroslav Orel (1870–1942) incorporated Slovak musical folklore into the domain of his scholarly interests after his move to Bratislava in 1919.
Hana Urbancová
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The Marechek Family in the Musical life of Kharkiv and Prague 19–20 Centuries
Ukrainian musicology, 2022 The relevance of the study. From the mid-1870s to the early 1950s, the Kharkiv musical community was well acquainted with the Czech surname Mareček, as several generations of this family worked in the city, covering various spheres and vectors of musical
V. Shchepakin
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Musical Catharsis and Identity in Holocaust Cinema: Der letzte Zug (2006)
Musicology Australia, 2022 Holocaust representation in film has received much academic attention, with a focus on how cinematography and the narrative may assist our memorialization process.
M. Lawson
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Speech melodies and “pinning down” the present in essays by Leoš Janáček and Milan Kundera
Artes Journal of Musicology, 2022 I ask myself the question: can those who compose music be called interpreters? Not of their own work but of the sonorities they imagine while writing.
Leonard Dumitriu
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Between Opera and Oratorio. The Pasticcio Oratorios in Prague and Brno ca 1720–1760
Musicology today, 2021 The phenomenon of the pasticcio oratorio was quite widespread in the Czech Lands around the middle of the eighteenth century. The first evidence of this practice was a Latin oratorio based on opera arias by George Frideric Handel (Prague 1725).
J. Spáčilová
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Czech-Polish Historical and Pedagogical Journal, 2021 Viktor Kosenko (1896–1938) was one of the brightest representatives of Ukrainian musical culture of the first half of the 20th century. He was a brilliant pianist, a genius composer, and an outstanding teacher. But the first twenty years of his biography
O. Volosatykh
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Musicologica Brunensia, 2014 Jan Vičar, native of Olomouc (*1949) belongs to a group of Czech composing music theorists, historians and educators, such as university professors Karel Janeček, Zdeněk Blažek, Karel Risinger, Jaroslav Smolka, Miloš Štědroň and Vladimír Tichý.
Karel Steinmetz
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Hudební věda v Brně po roce 1989
Musicologica Brunensia, 2015 The paper examines the situation and scholarly activities of Brno musicology in the last 25 years, follows musicological institutions at universities, especially the Institute od Musicology, Faculty of Arts, Masaryk University, but also the Faculty of ...
Petr Macek
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