Results 11 to 20 of about 99 (85)

Ve stopách Roberta Smetany aneb Třetí škola české hudební vědy

open access: yesMusicologica Brunensia, 2015
The credit for the foundation of a musicological institution at the restored university in Olomouc in 1946 goes to Vladimír Helfert's disciple, Robert Smetana (1904–1988). In 1951 he became associate professor and in 1965 professor and was at the head of
Jan Vičar
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Skladatel Jan Vičar a analýza jeho folklorního triptychu pro smíšený sbor na české, moravské a slezské lidové texty Široko daleko

open access: yesMusicologica Brunensia, 2014
Jan Vičar, native of Olomouc (*1949) belongs to a group of Czech composing music theorists, historians and educators, such as university professors Karel Janeček, Zdeněk Blažek, Karel Risinger, Jaroslav Smolka, Miloš Štědroň and Vladimír Tichý.
Karel Steinmetz
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Hudební věda v Brně po roce 1989

open access: yesMusicologica Brunensia, 2015
The paper examines the situation and scholarly activities of Brno musicology in the last 25 years, follows musicological institutions at universities, especially the Institute od Musicology, Faculty of Arts, Masaryk University, but also the Faculty of ...
Petr Macek
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Příspěvek k dějinám brněnské hudební vědy

open access: yesMusicologica Brunensia, 2015
The text is conceived as a contribution to history of Department of Musicology in Masaryk University in Brno, from point of view of major Czech musicologist and long-time head of this department, professor Jiří Vysloužil who celebrated his 90th birthday ...
Jiří Vysloužil
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Diachronně synchronní kontinuum-diskontinuum jako východisko, metoda i cíl : Fukačovy hudební historiografie aneb definice není nikdy definitivní

open access: yesMusicologica Brunensia, 2017
Jiří Fukač, representing the new Czech musicological generation as the young researcher (1959), lexicographer, reviewer (1961) and especially as the author of the textbook On studying musicology (1964, O studiu hudební vědy), refused Q.
Stanislav Bohadlo
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Classification of Interpretation Differences in String Quartets Based on the Origin of Performers

open access: yesApplied Sciences, 2023
Music Information Retrieval aims at extracting relevant features from music material, while Music Performance Analysis uses these features to perform semi-automated music analysis.
Matej Istvanek   +2 more
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A Reception of the Aesthetic Thinking of Theodor W. Adorno in Czech and Slovak Musicology within 60s to 80s of the 20th Century

open access: yesESPES, 2020
In the1960s, texts by the prominent German philosopher and musicologist Theodor W. Adorno were translated into the Czech and Slovak language. This was only possible due to the more relaxed social and political atmosphere of those years. The translated essays were published in professionally-oriented periodicals.
openaire   +2 more sources

... ten, kdo si je svou kulturní identitou jist, si může zahrávat i s pravidly kulturní hry... : metainspirace Jiřím Fukačem

open access: yesMusicologica Brunensia, 2017
The essay is devoted to the briefing of Jiří Fukač's activities, which were often considered unscientific in the context of the period. Today, however, we can see it as a full-fledged part of scientific work. Following text represents an invitation to an
Viktor Pantůček
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Několik poznámek k České moderní hudbě Vladimíra Helferta

open access: yesMusicologica Brunensia, 2016
The study comments on the book of Vladimir Helfert Czech modern music (1936). At the time of its release, the book met with a rather great interest of the wider, music loving, public.
Lubomír Spurný
doaj   +1 more source

Complexity of music : on academic and organisational activities of Jiří Fukač

open access: yesMusicologica Brunensia
Jiří Fukač (15. 1. 1936, Znojmo – 22. 11. 2002, Brno) was one of the most influential Czech musicologists of the 20th century — a scholar of remarkable breadth, intellectual ambition, and organizational impact.
Mikuláš Bek   +9 more
doaj   +1 more source

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