Results 61 to 70 of about 422 (184)
Erbenovy balady jako odraz hylozoistické podstaty romantického mytopoetismu // Karel Jaromír Erben’s Ballads as a Reflection of the Hylozoistic Nature of Romantic Mythopoetics [PDF]
Slovo a Smysl, 2015 The hylozoistic idea of matter as the visible side of everything there is attractive for the Romanticism’s mythopoetic concept of animated and dynamic nature of the universe and man as its projection.
Žoržeta Čolakova
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Slovenské divadlo, 2017 In the 1940s the Drama Company of the Slovak National Theatre introduced four poetry productions, which demonstrated the stage potential of the symbiosis of verse and a music-accompanied recitation in an original stage design solution.
Podmaková Ú Dagmar
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Jan Zábrana a překládání za studené války // Jan Zábrana and translation during the Cold war [PDF]
Svět Literatury, 2015 This essay examines the cultural dynamics that were established at the outset of the Cold War, especially from the mid-1950s to mid-1960s, that dictated the translation and production of poetry on both sides of the Iron Curtain.
Justin Quinn
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“There Is a Meaning Buried within the Sound.” H. P. Baxxter’s Lyrics as Modernist Intertextual Poetry [PDF]
Acta Universitatis Sapientiae: PhilologicaThis article explores the lyrical output of H. P. Baxxter, frontman of the German electronic band Scooter, through the lens of modernist poetry and the theoretical frameworks of Russian formalism, Czech and French structuralism, and theories of ...
Zénó VERNYIK
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Citazioni e allusioni corporee in un balletto di Petr Zuska [PDF]
Parole Rubate, 2020 This article focuses on "Sólo pro tri"("A Solo for Three") (2007), directed by the Czech coreographer Petr Zuska, which merges texts and poems by three singer-songwriters from the 1960s and 70s with the techniques of contemporary dance.
Mattia Mantellato
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Česko-slovenské haiku: Na príklade haiku Katky Soustružníkovej a Petra Kovalika [PDF]
Svět LiteraturyThe paper applies a genological approach to assessing the Czech and Slovak variants of the Japanese art of haiku. The main focus is on haiku as a genre that is modified under the influence of time and the style of individual creators.
Eva Urbanová Šimková
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From notes on the poem by Milan Rúfus “Tak [So]” [PDF]
Slovenska LiteraturaThe paper presents a reading (lektúra) of the poem by Milan Rúfus (1928 – 2009) “Tak [So]” from the end of his key collection of poetry Zvony (Bells, 1968). The text chosen as its summary and generalization provides insights into the poet’s world and his
Fedor Matejov
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POST-COMMUNIST CZECH POETRY ON THE ROAD TO METAMODERNISM
Ideology and Politics JournalThe study analyses the manifestations of metamodernism in Czech poetry. The author places these manifestations in the broader historical framework of Czech culture in the post-communist era. He focuses on the overcoming of apoliticality, which was considered a preferable state of literature after the fall of communism in 1989.
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Rukopisné poznámky o anagramu // Manuscript notes on anagrams [PDF]
Svět Literatury, 2015 The text is a Czech translation of selected Ferdinand de Saussure’s manuscripts concerning anagrammatic poetry (the source text: Jean Starobinski, Les mots sous les mots. Les anagrammes de Ferdinand de Saussure, Paris: Gallimard 1971).
Ferdinand de Saussure
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Research Data Journal for the Humanities and Social SciencesThis article presents a set of standardised corpora of poetry comprising over 330,000 poems in ten languages (Czech, English, French, German, Hungarian, Italian, Portuguese, Russian, Slovenian, and Spanish). Each corpus has been deduplicated, enriched with Universal Dependencies, provided with additional metadata, and converted into a unified json ...
Petr Plecháč +7 more
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