Results 1 to 10 of about 20,651 (158)
From Art to Arthritis: Albrecht Dürer [PDF]
Brown Journal of Hospital Medicine, 2023 Through their craft, artists have long honed observation skills that have allowed them to depict human anatomy and pathology in great detail. In fact, artists’ depictions of abnormal findings may even predate the identification of pathologies by medical ...
Isaac Benque
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Self-Assembly, Self-Folding, and Origami: Comparative Design Principles [PDF]
Biomimetics, 2022 Self-assembly is usually considered a parallel process while self-folding and origami are usually considered to be serial processes. We believe that these distinctions do not hold in actual experiments. Based upon our experience with 4D printing, we have
John R. Jungck +3 more
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Polyethylene glycol versus lactulose in the treatment of hepatic encephalopathy: a systematic review and meta-analysis [PDF]
BMJ Open Gastroenterology, 2021 Background Hepatic encephalopathy (HE) is defined as brain dysfunction that occurs because of acute liver failure or liver cirrhosis and is associated with significant morbidity and mortality.
Gilles Jadd Hoilat +7 more
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Albrecht Dürer’s Image in the Art Works and Theory of the Nazarene Movement and its Followers [PDF]
Художественная культура, 2023 The formation of Albrecht Dürer’s cult in German romantic culture is an important problem of modern art history, since the image of the German master, created in the first half of the 19th century, still influences the perception of his work. The article
Frolova Liudmila V.
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Nietzsche’s Ariadne: On Asses’s Ears in Botticelli/Dürer – and Poussin’s Bacchanale
Open Philosophy, 2022 In what follows I raise the question of Ariadne and Dionysus for Nietzsche, including the relative size of Ariadne’s ears, as Dionysus observes at the close of “Ariadne’s Lament” [Klage der Ariadne].
Babich Babette
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Revista de Estudos de Cultura, 2022 A autora analisa O Evangelho Segundo Jesus Cristo (1991), de José Saramago, concentrando a interpretação na gravura “Crucificação de Cristo”, de Albrecht Dürer.
Marlise Vaz Bridi
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Via activa a via contemplativa vo vybraných interpretáciách renesančných diel Erwinom Panofskym
Acta Universitatis Carolinae: Philosophica et Historica, 2020 The paper deals with the processing of the theme of active and contemplative life in three selected examples of Renaissance art, namely in Dürer’s engravings Knight, Death and the Devil and Saint Jerome in His Study and Titian’s painting Sacred and ...
Stanislava Kustrová
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Screenworks, 2020 Fernando Sobron’s Filling The Gaps is a reflexive documentary which explores the normally hidden creative processes in documentary filmmaking, and probes the gap between “actuality” and its “creative treatment”.
Fernando Sobron
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Adam Kraft’s Moving Sandstones
Arts, 2023 Adam Kraft, Albrecht Dürer’s contemporary in Nuremberg, worked in the material of sandstone to provide a comparable experience in carved relief about the Passion of Christ.
Larry Silver
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A touching compassion: Dürer’s haptic theology [PDF]
The Open Arts Journal, 2015 In one of the final scenes of his 1511 woodcut sequence, The Small Passion, Albrecht Dürer depicts the newly risen Christ extending his forefinger towards the head of Mary Magdalen.
Shira Brisman
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